The Power Of Paradox (Part 1 of 3)

I am. Hs. H. Mm-mm. Mm-mm. Mm-hmm. Mm-hmm. Mm. Oh. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Oh. Oh. Oh. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. How do you How do you How are you this day, How are you all? Once again we take this opportunity to thank each and every one of you for co-creating this particular interaction through this window and in this way at this time. We thank you for the gift of your willingness to co-created your willingness to co-create this sharing, this transmission, this communication, to expand our understanding of creation through our experience of our interaction with each and every one of you. This day of your time, let us begin this transmission with the concept of what you call in your language oxymoron, the self-contained contradiction. We have, of course, from time to time talked about the idea of paradox, which is an expression of self-contained, apparent contradiction, and we have discussed that when you discover paradox, when you are in a situation that is filled with paradox, we remind you that you are then capable of knowing that you are dealing with the core of your being, the center of yourself, standing at the crossroads of the manifestation of the experience you are having, because all things originate through you, come from the center, the gateway, that is you, the conduit, the channel, and in that knowledge, there would be then the understanding that anything you experience in life, because life happens through you, not to you, that anything you experience in life, that would appear to be paradoxical or oxymoronic, would thus simply then be the polarized representations of what? at its heart is one thing. But which, when expressed through you, into the world of three-dimensionality, can manifest itself to appear as if it would be diametrically opposing concepts. But in between every two diametrically opposed concepts is the center of the truth, of the idea that you are dealing with, and by allowing yourself to remember the axiomically opposed concepts, is the center of the truth, of the idea that you are dealing with, and by allowing yourself, that in light, reality is really composed of this and that, rather than this or that, then you begin to allow yourself to become comfortable with paradoxical occurrences, paradoxical structures, oxymoronic life is reality. Reality is an oxymoron. It is, as we have said, that reality is only what you define it to be, only what you perceive it to be, and as such, therefore, then there is no reality. But that's what reality is. And this is an oxymoronic paradoxical statement. There is no reality, except your perception of it, but that's what reality is. This is a self-contained paradox. Even your term oxymoron is, in and of itself, an oxymoron. self-contradictory statement in that oxy refers to the idea of intelligence moronic refers to the idea of the lack thereof. Oxymoron is an oxymoron.

and as such, therefore, then there is no reality. But that's what reality is. And this is an oxymoronic paradoxical statement. There is no reality, except your perception of it, but that's what reality is. This is a self-contained paradox. Even your term oxymoron is, in and of itself, an oxymoron. self-contradictory statement in that oxy refers to the idea of intelligence moronic refers to the idea of the lack thereof. Oxymoron is an oxymoron. Going into a phrase that you are familiar with, that is also oxymoronic, random patterns. The idea, of course, again, being that randomness is chaotic and does not appear to contain patterns, whereas patterns are orderly, structured, apparently unrandom, and yet, as you are beginning now to know, as many of your scientists and mathematicians have understood, in randomness, there is patterns, and patterns will, through entropy, eventually break down into randomness, which will generate patterns. All over again, it is a self-perpetuating cycle, a closed circle, a loop, thus then reinforcing the concept that life itself, the experience of reality itself, is paradoxical and oxymoronic. By making a friend of paradox, by being willing to live in dichotomy, accepting both sides of the coin so that you can have the coin, for as we have said, without one side, there cannot be the other, allowing yourself to relax your definitions of life so that you can begin to experience more of the paradox that will allow you to remember that you are squarely in the center of those apparently opposing definitions. And blending those definitions together, bringing them back into the center from whence they came, will allow you to achieve and maintain and remain in the balance of life, knowing that all things stem through you from the infinite and can be expressed in a number of ways, black and white, day and night, and yet together make up the one reality that you do appear to experience so that you know that without one you do not have the other. That is the nature of your life experience, and your experience. of self-awareness, your experience of your own consciousness. And so, allow yourself not to become confused by the apparent dichotomies, but accept them both as real and in so doing learn how to see where they connect, where an association can be made between them, so that in so doing, you will find a third reality, a third point of view, your power, your center point of power, responsible for creating the original polarity manifestation or appearance thereof. So remember, reality itself is an oxymoron, a paradox. You live in it every day, every night, accept it for what it is, and find that center point, and you will find the source of life within yourself, within your consciousness, with you as a reflection of the infinite, the one that is all, the all that is one, again another paradox.

point of power, responsible for creating the original polarity manifestation or appearance thereof. So remember, reality itself is an oxymoron, a paradox. You live in it every day, every night, accept it for what it is, and find that center point, and you will find the source of life within yourself, within your consciousness, with you as a reflection of the infinite, the one that is all, the all that is one, again another paradox. We thank you for allowing us to reflect and remind you of this concept and this principle, put it into action, put it to use, it will open doorways you heretofore did not perceive were present within you. At this time, once again in return for the gift that you are giving our civilization and allowing us to have this communication with you, I ask, in what way may I in my world be of service to you? You and then you, number one, do you know who you are? Number two, do you know who you are? Number three, the female, do you know who you are? All right. Number one, good day. Good day, Bashar. On the show Strange Universe, Wednesday evening, they had a large discussion on Tepaslan, Mexico, Mexico, and also Meta-Tech. Mexico, Mount Popo, volcano, and discussion of aliens with white skin. Is there anything you can tell us about this? The thing, as we have said during the time of your last solar eclipse in that area, and the sighting thereof of many silver ships in that area at the time was that this was the reintroduction of the consciousness and the beings that you knew in past times by the name of Ketsukwato. The beings. beings that many people, not all, but the beings that many people are seeing at this time that are fitting the description are, to some degree, and in some occurrences, expressions and manifestations again of this consciousness and the beings connected to the idea that was in ancient times called quetziquotl. Yes. And these would represent an orange glowing craft? Sometimes. Not always, but sometimes. Sometimes the silver craft, sometimes the orange craft, sometimes the orange craft. sometimes other manifestations. It will depend upon many different circumstances, but in general, the energy and the consciousness of Kepsoquodal is re-emerging from and re-arriving to the area on your planet you call your central America. And are they protecting the natives there from? No, it is not an issue of protection. Okay. It is an issue of infusion of energy. reawakening. Okay. Also, that same night, I was looking out the window, and it appeared depending on which angle I looked at, what looked like originally a star, appeared to separate into two forms, and when I concentrate on it, would appear to move closer. And I was wondering if this was actually a craft. No. No. Okay. And do animals remotely? remote view? Many of them naturally. Instinctively so, yes. Okay.

infusion of energy. reawakening. Okay. Also, that same night, I was looking out the window, and it appeared depending on which angle I looked at, what looked like originally a star, appeared to separate into two forms, and when I concentrate on it, would appear to move closer. And I was wondering if this was actually a craft. No. No. Okay. And do animals remotely? remote view? Many of them naturally. Instinctively so, yes. Okay. Is that why a dog or a cat would react or no before an earthquake? Is that the same concept? No, not exactly. It is more the idea of sensitivity to changes and shifts in frequency of the electromagnetic field of your planet, which all of you have the ability to discern. That has nothing to do with remote viewing so much, although it is possible for individuals to remote view such an occurrence. and possible for animals to do so as well. But for the most part, that is more what you are talking about, what you are referring to, is more the idea of sensitivity to the shifting frequencies in electromagnetic field that precede earthquakes. And do humans have the ability to receive that too and why? I just said you do. Okay. Is there a particular reason we have been either taught or unlearned? You just don't pay attention. Okay. You have to. increase your sensitivity to many of those things and for the most part allow yourself to understand that it is possible for you to do so. Many of you actually even feel these things but have no interpretation for the sensations in your body that you are feeling preceding such seismic phenomenology. Sometimes you will experience heart palpitations. Sometimes you will experience sinus pressures. Many of you will simply attribute these sensations to other things and will not have given yourself the opportunity to get used to the fact that sometimes these sensations are picking up upon the shifts in electromagnetic energy that precedes seismic events. You simply have to get used to it and understand how to recognize it in the same way that you would get used to and recognize anything that you have a degree of familiarity with. And one other thing, are you familiar with the terms or can you scan the term psychomantium? Yes. It is that chamber created to provide through a reflective surface, an undifferentiated reflective field. In other words, you are looking into a mirror of a type, whatever type that may be, but you are not seeing your own reflection. In a sense, you are seeing a reflection of an unbroken surface, such as a wall, in dim light, thus then having an undifferentiated surface reflection, similar to a pool of water in the right circumstances or a crystal ball in the right circumstances.

reflective surface, an undifferentiated reflective field. In other words, you are looking into a mirror of a type, whatever type that may be, but you are not seeing your own reflection. In a sense, you are seeing a reflection of an unbroken surface, such as a wall, in dim light, thus then having an undifferentiated surface reflection, similar to a pool of water in the right circumstances or a crystal ball in the right circumstances. These undifferentiated surface, these undifferentiated unbroken, unspecific reflections evoke from your brain patterns the ability to extend your senses into non-physical, more etheric realm, and thus can be utilized as tools to help extend your senses to perceive the spirit realm. That is what they were used for in ancient times. This is how you can use them again. Is there a, can you, can you build an effective version of this? These things do already. exist? Where did you find the terminology psychomantium? Did you not find it in literature? No, this was on a television show. I wanted to know how to construct. All right, it is simple. Use a small room. Find a large enough mirror. Aim the mirror at an angle so that you do not see your own reflection in it while you are sitting in the room. In the room, use low light levels, either what you would call very dim electric light, or perhaps better yet, more evocatively, a candle. But aim the mirror so that when you are looking in the mirror, all you see is a reflection of an unbroken, homogeneous, single-color surface, such as a wall with no detail in it whatsoever. Simply then let your mind wander, stare into the mirror, in a sense, daydream into the mirror. If you have a particular request for a particular spirit or entity, such as what you would call individuals who have died on your planet, to come forward? then put your request out. Do it without expectation. But most individuals who will do this within one to three times may find that they will receive some sort of response, either in their dreams, in the mirror, or even sometimes what appears to be a physiological response, even going about the business of their day, even in broad daylight sometimes. They will perceive what they may sometimes assume to be a physical person, which actually may be presenting itself as a spirit, seeming like a physical person. But again, one to three times, letting your mind wander, staring into that undifferentiated field will allow you to generally access, if you are sensitive to it, the idea of the spirit will, this will work more often than not. All you have to be is in the right frame of mind, which mostly involves relaxation and allowance and willingness to receive whatever is the best for all concerned.

spirit, seeming like a physical person. But again, one to three times, letting your mind wander, staring into that undifferentiated field will allow you to generally access, if you are sensitive to it, the idea of the spirit will, this will work more often than not. All you have to be is in the right frame of mind, which mostly involves relaxation and allowance and willingness to receive whatever is the best for all concerned. So you'd recommend doing this with just a mirror in an empty room, not use any other type of tuning device like the cone or anything else? This is different. For the psychomantium, very little is required. Keep it simple. That is how it was designed to function. There is no need to complicate it. If, however, in future times, you wish to also want to become proficient at using it, use it to gain access to information in what might be called the spirit realm and or Akashik record regarding certain specific, scientific, and or technological data. You can use it for that as well. by focusing on the required or desired information with regard to such shapes as the cone and so forth. I would, however, first suggest that you gain some proficiency in practice in using it in the normal, quote-unquote, modality. Thank you, Bichar. Thank you. Number two. Hi, Bichar. And are you a good day. I want to thank you for your opening words. They went right to my heart. Oh, all right, thank you. I opened my eyes a lot. about my situation. Yes, speak up and be bold so that all may hear what you have to share. About my situations all over the place. What I wanted to talk to you about was I had a dream about three days ago. Yes. And I was in the water, and there were a couple of people, and while I was in the water, a dolphin came up behind me. Yes. And he sort of slid up on my back, like rubbing my whole back. And I got this, it was like he was healing me. And then I woke up. And I noticed today that I no longer wrapped my wrist, because evidently I haven't had any pain in my wrist for a couple of days. I completely forgot about it. I don't even know where they are in my house. All right. And for the last two days, I haven't had trouble with my eyes. Oh, right. use the lavender water or anything. All right, very good. Now, you're not going to end this with a question, are you? No. All right, very good. I just wanted to tell you this because it was... Thank you. Don't doubt your experience. A beautiful gift.

about it. I don't even know where they are in my house. All right. And for the last two days, I haven't had trouble with my eyes. Oh, right. use the lavender water or anything. All right, very good. Now, you're not going to end this with a question, are you? No. All right, very good. I just wanted to tell you this because it was... Thank you. Don't doubt your experience. A beautiful gift. Yes, we have already told many of you many times that one of the easiest ways that the dolphin consciousness has of reaching all of you is in your dream state when your guard is down. Thus then you have experienced the direct interaction of that nature and perceived it correctly as a healing experience for which you now have the physiological result. physiological results. In that sense, thank you for relaxing, and congratulations for allowing yourself to relax to that degree of acceptability. You are meditating at night, going through the meditation that we did at the Tessaract party, and then also listening to Mars and doing the piece of music. Yes. And visualizing the tetrahedron, the two tetrahedrons, it seems to... Interpenetrating up and down. It seems to open up my dream state. A lot. A lot is going on. It is in that sense the kind of Mercuba structure that can do that very profoundly. That is why we recommended it. It has existed for millennium on your planet. And it is very, very strong as a key for opening up dimensionality within you. So seeing the tetrahedron pointing up, tetrahedron pointing down, interpenetrating through each other, like a three-dimensional, what you would call Star of David, and one tetrahedron turning one way, the other tetrahedron turning the other way, interpenetrating, interrotating. This is a very strong key to open up doorways of dimensionality and accessibility in your imagination, your consciousness, your mind. Yes, highly recommended, highly recommended, highly recommended, highly recommended. Greatly effective. Thank you for helping me remember. Almost. Almost, if you will persist, any of you, all of you, all of you, in imagining that form in a relaxed meditative state, almost unnecessary is anything else. It is one of the strongest gateway keys you can visualize in your meditative mind. It will have profound effects in your life, and you will learn how to use it in profound and powerful way. way. I have used that in the evening and also, of course, not in a particularly meditated state, but sort of while I'm driving because driving for me is very calming. We understand that many of you go on automatic in your automobile. Right. And I can, and I'll visualize that also while I'm driving. So it's been a great gift to me and I thank you. We thank you for using the gift that already existed.

have used that in the evening and also, of course, not in a particularly meditated state, but sort of while I'm driving because driving for me is very calming. We understand that many of you go on automatic in your automobile. Right. And I can, and I'll visualize that also while I'm driving. So it's been a great gift to me and I thank you. We thank you for using the gift that already existed. But in that sense, our appreciation for your willingness to utilize it in that way and learn to become more of yourself, thank you for your gift. Thank you. And number three. Hi, Bashar. And do you good day? A couple weeks ago, you said to Pamla, remember that it's okay to breathe of myself deep. myself deeply and exhale. Yes. Sweetly. Yes. And so? And so that's, I just laughed on to that and I've been reminding myself of that a lot every day. All right. And it's, you know, it's, there's a lot of discomfort in my, like my second and third chakra, but at the same time it feels like, you know, something's really breaking down. stretching down. Yes. Yes. All right. Very good. Very good. And? So my request is that perhaps you would reveal to me another some little saying that for me, so I can get my core self out because I still, I have no idea who I am, really. Well, not many of you do, but that's all right. experience of yourself is who you are at any given moment anyway. Whatever it is you are experiencing, that is you. Do not necessarily think that we mean that this has to be understood in some ultimate sense. Who you are is what you experience yourself to be at any given moment. Do you follow? Yeah. Well, if you begin to see yourself that way, as the experience you are having, that's who you are. You are the experience you are having. That's who you are. who you are, if you begin to see yourself, and feel yourself, and experience yourself that way, as the experience itself you are having, it will be easier for you to understand what it means to be yourself. Does that make any sense to you in your language? Yeah. Well, I'm going to get a tape. I'll let's put it. In other words, no. All right. The idea is that many of you, because you have been trained to think of yourselves in this corporeal form, in this bodily form, as a particular personality identity, you think you, a person, are having an experience that in some senses is initiated from outside yourself and causes responses and reactions to go off inside you. And you call that you having an experience. But the experience of having the experience is who and what you are, the real you, The real you is the experience itself.

think of yourselves in this corporeal form, in this bodily form, as a particular personality identity, you think you, a person, are having an experience that in some senses is initiated from outside yourself and causes responses and reactions to go off inside you. And you call that you having an experience. But the experience of having the experience is who and what you are, the real you, The real you is the experience itself. The sensation, the experience, everything that goes along with it, the experience itself is who and what you, the real you, as a being, as a consciousness, as an entity actually is. Did that make any more sense at all? Yes. In other words, those times, when you may have had them from time to time, time when you become lost in the moment, having so much fun, so absorbed by what you are doing, that what you are doing and you become one and the same, that's the real you. You are the experience that you think you're having. That is actually you. At that moment, you're really, really being the real you. When you cannot tell the difference between the moment and the thing you are doing, and the thing you are doing, and you. You follow? Yeah. That's you. Now, this doesn't mean that it's not you when you experience the sensation of time and differentiation and space and volume and remoteness and limitation. All of that is you too. But the idea is that when you live in the moment, you accept those things and the experience of yourself. Even limitation can be experienced fully, more fully than many of you are willing to, and by accepting it as part of the experience of being you, then you will experience even limitation that way in the moment, more cohesively, more holographically, more immediately, more censorily, more fully, and you will understand that even the concept of limitation are actually simply different facets of you. And by experiencing them that way, paradoxically, you allow yourself to go beyond limitation because you're willing to feel experience whatever it is that's happening at any given moment as yourself. Not that you are having the experience, but willing to experience that thing as yourself. Willing to allow that experience to be you, to actually be who and what you are. You are the experience itself. And experience is not something that you have. You are the experience itself. The real you is the experience you think you're having. Did that make any sense? Yes. Thank you. Thank you. Thank you. Yes, good day. Good day. Thank you for being here. Nice to talk to you again. I was, I didn't go to the workshop, but I heard about it. Oh, all right. And last week when you made the diagram for that duodecahedron, I took that down and I put it into computer and made it and tried to tape it together.

having. Did that make any sense? Yes. Thank you. Thank you. Thank you. Yes, good day. Good day. Thank you for being here. Nice to talk to you again. I was, I didn't go to the workshop, but I heard about it. Oh, all right. And last week when you made the diagram for that duodecahedron, I took that down and I put it into computer and made it and tried to tape it together. And didn't quite look the way the picture in the dictionary showed. That's because it is another form. Ah. But the picture in the dictionary looked like an equal-sided with the diamonds and 12 sides. And it looked like if you put it together, it should be almost like the pentagonal dodecahedron also. But you are only viewing that from one angle. But they showed shaded views. You could see the rear sides also, and it looked to me. That simply has to do with the fact that that many times in many of those forms, the diamonds have different, shall we say, diameters across their diagonal. That's what it has to do with. You can change the diagonal dimension. It does not have to be equilateral in that sense, because when dealing with a rhombic structure, the only equilateral measure that needs to be there to make it a regular fall is that each of the sides is equal. In that, the first example that was given to you also made the diagonal equal. That's simply allowed it to be an equilateral structure all the way through. But it doesn't have to be. that way. You can change the dimension of the diagonal, and when you do that, you will start to see that it will take on more the fuller form that you perceive in what you call your dictionary illustration. Okay. Very good. Yeah. That's the way it seemed to me. Because what I did was when I folded it according to the way you did it, it came out to be kind of a flattened, kind of a strange-looking thing. Yes. But that tells you something very important. Okay. If you will find a way. find a way to build such a structure, perhaps if you would call it an open framework style structure, so that the diagonal dimensions are collapsible and expandable. You will be able to see some very interesting gymnastics on behalf of that solid. Yeah, that sounds good. Yes. It will also give you some insight into how dimensional doorways work, especially. if you allow it to collapse and expand along all the diagonals of the rhombic diamonds, but look at the shadow of the framework as it collapses and expand. It will start to create an optical illusion that in and of itself will actually begin to change things in your head as you look at it. It sounds to me like a hallucination. Yes. In a sense, that's what you want. Yeah.

doorways work, especially. if you allow it to collapse and expand along all the diagonals of the rhombic diamonds, but look at the shadow of the framework as it collapses and expand. It will start to create an optical illusion that in and of itself will actually begin to change things in your head as you look at it. It sounds to me like a hallucination. Yes. In a sense, that's what you want. Yeah. But one based on that structure, then doorways and gateways will open wide. Okay. Also, the other structure that you came up with Oh, yeah. Is in fact a 24-sided structure of equilateral triangle. Right. It is, in that sense, another solid, one we did not touch on. What would you call that one? What you may wish to call a double dodecahedron. A double dodecahedron? Yes. Okay. And it is a very important structure, very important structure as a bridge structure from one reality to another. But it is really composed of triangles, not rhombic diamonds. Well, this is the one that I thought that if I just widened the across the narrow part of the diamond, I could make turning the full figure. No. No. No. Not exactly. What you will find, however, is that this structure in the way you have built it represents higher-dimensional geometries and features. physics. What you have there, in a sense, if you are going to talk about it as a dodecahedron instead of a double dodecahedron of triangle, but a dodecahedron of parallelograms or diamonds, you have a hyperbolic dodecahedron. You have a hyperbolic dodecahedron. Each of the diamonds is curved in two directions. Right. You have a hyperbolic dodecahedron which is representative of higher dimensional mathematics. In other words, there is a reality. There is a reality in which those diamonds are flat and straight. But the only way to represent... No. Oh, I'm glad you told me that, because I was going to work on that. They will never be absolutely flat. You may approach it, but they will never be absolutely flat. Well, then, maybe I misunderstood what you were saying at the first then. I thought that's what you were saying, that... Because... Because what we did here was what you had showed was to make it two inches on a side plus two inches across the center. Yes. And I thought you were saying that if we changed that across the center, we could end up with a dodecahedron like this with flat sides. You will find that there will be some different things happening. If you will simply take the typical dodecahedron and you will change the diagonal expansion, you will wind up with different things. The expansion will, ultimately, in some senses, approach the idea of the idea of the diagonal expansion. of the hyperbolic dodecahedrine, but will never actually become one. Just as the hyperbolic dotahedhedron will never actually become flat. Okay.

this with flat sides. You will find that there will be some different things happening. If you will simply take the typical dodecahedron and you will change the diagonal expansion, you will wind up with different things. The expansion will, ultimately, in some senses, approach the idea of the idea of the diagonal expansion. of the hyperbolic dodecahedrine, but will never actually become one. Just as the hyperbolic dotahedhedron will never actually become flat. Okay. There is a jump gate in between those two, and that's the secret. Well, then was the line that you downloaded as a barrel that you put on the board, was that correct? Yes. It is correct for that particular solid. The one that has the diagonal equal to the sides. And that's not the rhombic? It is a rhombic. rhombic dodecahedron. And if you will change the diagonal, then you will find that it will become a fuller, fatter, if you wish, structure. But it will still be a rhombic dodecahedron, but not a hyperbolic one. So when you say fatter, when we look at this one, this is the one that we're talking about now. When you say fatter, you mean that the two flat sides will be, will come out farther and farther. Yes, yes. It will not be in your terms quite so square. washed. Yeah. However, there is, again, particular properties to creating a rhombic dodecahedron that has an equal diagonal to its size. And that's why we began with that one. There is a certain kind of equilibrium that is created by that shape that does not exist within any other form or version of the rhombic dodecahedron with other diagonal dimension. Okay. And this one here, though, you said this is proper and correct. what you were saying. This one being the flat one, the squashed one. Yes. What should that symbolizer represent for us in the three-dimensional? Well, you have to play with that. I'll give you that it's a seed of something. Okay. But you have to play with it. That's why we recommended that you play with these shapes. Play with them. See what you feel. See what you get. See what comes up in your imagination when you create. imagination when you create these structure. Play with them. We will. I think we all like this other one, though. This is a neat one, but this is one we're going to play with. It is a very interesting one that will lead to some very interesting experiences. Yes. If we spend this one around also, like you talked with the... You will get something different. Okay. Okay. Thank you. At one point, depending upon the materials that you are using and exactly what kind of stresses you may put upon it, that one, the curving one, the hyperbolic one, may, in fact, in a sense, implode upon itself.

It is a very interesting one that will lead to some very interesting experiences. Yes. If we spend this one around also, like you talked with the... You will get something different. Okay. Okay. Thank you. At one point, depending upon the materials that you are using and exactly what kind of stresses you may put upon it, that one, the curving one, the hyperbolic one, may, in fact, in a sense, implode upon itself. You know, I was wondering, is there a way to make that, how those curve inward, is there a way to make those curve outward if you were to be able to pull those outwards? Yes, but it's not exactly pulling them outward in three dimensions that does it. It's understanding how to turn it inside out in fourth-dimensional reality. We'll let you think about that one. Okay, can I ask another question off a whole different topic now? Of course. This is on genetic. Genetic! And do I understand you correctly to say that if we looked at, for example, what they call the human genome, which would be my genome, when they have it to the point where they can stretch it out and read it entirely. Yes. And they looked at my genome as a baby, took a piece of my fingernail or whatever, and went into the center of the cell and pulled out the whole DNA strand. Yes. And I think it was like six big. billion characters in a row. And we looked at those, and then when I, if I died at 100 years old, and we took us another piece of that fingernail and did the same thing. Not so much the nail, but more a living cell. A living cell, yeah, okay. And you held those two genomes together, exactly, the same. Would they not be identical? It depends on certain things. For the most part, yes, they would. there will be subtle differences that your science has yet to learn how to read. Okay, because I understand that they are recognizing that there are certain parts that turn other parts on and turn other parts off, right? Yes. And so I would... There are other things going on as well. Okay. Remember our old axiom and understanding that anything here, and then when you move this thing to here, that it is actually a different thing. Right, because of the position in the universe, right. Therefore, that is one factor that is different, and it is a real difference in the genetic structure, because even contained in your genetic structure is the understanding of the difference in vibration that relates to the concept you call position in volumetric space time. Okay. These are some of the things you haven't yet learned how to read in the genetic structure. Okay. Also, that... So the genetic structure would not have...

universe, right. Therefore, that is one factor that is different, and it is a real difference in the genetic structure, because even contained in your genetic structure is the understanding of the difference in vibration that relates to the concept you call position in volumetric space time. Okay. These are some of the things you haven't yet learned how to read in the genetic structure. Okay. Also, that... So the genetic structure would not have... to change, but those switches in there that turn parts on and parts off in our body, I assume, is what we can do even with our energetic states and emotional states. Yes. It is not so much the skeletal structure that would appear to change, but going back to our original conversation, this day of your time, it is the pattern of the firing of the switches that changes and makes all the difference in the world. Okay. Okay. Because, okay, for example, Is that what hormones do? Do hormones change the patterns of the firing? So do many of the other what you would call fluids in the body, some of the brain chemistry, some of the pituitary and glandular fluids will also change the firing patterns of those keys and switches in your genetic structure, yes. Very good. And now that you mentioned those, the brain fluids, I guess what, the neurotransmitters you would call it? That is one type, yes. And I understand now there's hundreds of different chemicals make-ups of those neurotransmitters? Yes, indicative of the different patterns. In a sense, it is not so much that they are so different, but they are different rearrangements of some of the same basic building blocks based on the different switching patterns that will occur. Okay. And it seems to me like... When we take a mind altering or a drug chemical that alters those neurotransmitters, it seems to me that it dries some of those up or suspends a lot of those. It depends upon the substance, but generally it will change the patterns of the switching, yes. So it isn't so much depleting some of that as it is just changing the flow. Sometimes it will deplete depending upon the change. Okay. Sometimes it will enhance. depending upon the change. Okay, yeah, I think that's, I think I understand what you're saying. All right. Does that help you? Thank you. Thank you. You and then you. Number two, do you know who you are? All right, number one, good day. Hi, I'm sure. To you a good day. Well, I've had a lot of fun since you push my button. No, all right. Thank you for allowing us access to them. Well, I've been on my music tour. music trip. Yes. Has it been melodious? Yes. All right. Yes. It's been quite interesting. Thank you.

Thank you. You and then you. Number two, do you know who you are? All right, number one, good day. Hi, I'm sure. To you a good day. Well, I've had a lot of fun since you push my button. No, all right. Thank you for allowing us access to them. Well, I've been on my music tour. music trip. Yes. Has it been melodious? Yes. All right. Yes. It's been quite interesting. Thank you. Started off Friday night after we left here and went out for something to eat and talking to Daryl and sharing that dream, the field board, and Frank Sinatra's name came up. We understand. Okay. And then my way, the music my way, came up. I heavily identified with that. All right. So I sort of been my theme song. Then the next morning. Yes. I really had a lot of emotions and everything going on. All right. I felt with you and I felt like this thing with the classical music brought up a lot of definitions. All right. Very good. Uh-huh. And I was crying and yelling and resisting and I felt like you were a persistent father. And I felt like the rebellious child. All right. roll is necessary. Uh-huh. And so I even taped it and for about 10 minutes I was going off with that I, that is not my excitement. I don't want to do this. I'm not going to do it. Da-da-da-da-da-da. And you have... Da-da-da-da-da-da-da. And the other thing that came up at the time was, you know, you've always been into to do your homework. Yes. Yes. So then I went upstairs to start getting ready. for a meeting. Yes. And what I tapped into was that do your homework and a student. On a couple days before, on Thursday, I had had this dream. And in the dream, the part of it was that there was this woman who was me, was running after me and she was trying to give me answers. And I kept saying to her, stay away from me. I don't want you to give me your answers. Yes. And it tied into integrity in being a student. Right. testing and you can't have the answers. And so that was the definition that I was holding, so I looked at that. And realized you were playing hide-and-seek with yourself. Uh-huh. And I thought you would be cheating? Yes. Yes, absolutely. If you would access information directly. Yes, yes. But that's all right. Yes. And when that came up that morning, I went back into the dream and thought I had played with that enough, but this came back up on Saturday. All right. I guess it wasn't enough. No, it wasn't. And so, and I said, you know, I'm tired of being the student and not being the student in the context of homework and everything, that kind of a student. Understood. Understood.

But that's all right. Yes. And when that came up that morning, I went back into the dream and thought I had played with that enough, but this came back up on Saturday. All right. I guess it wasn't enough. No, it wasn't. And so, and I said, you know, I'm tired of being the student and not being the student in the context of homework and everything, that kind of a student. Understood. Understood. And so my resistance to the classical music and everything was tied into that about doing homework and not being my excitement. Oh, all right. Then when I realized that being the intuitive scientist that I am, they do more. Yes. research. Yes. And you're going to have all the answers because that's what you're after. Yes. So that totally neutralized exposition. Yes. Then put it into the excitement and fun. Yes. And so then I went out to, and I spent quite a few hours at the music store. And listening to many of them, I brought home about six CDs. Yes. And I brought home three that were. home three that were of children and classical music to work with the hybrid children in that. All right. Yes. But the one I really zeroed in on... Zero. Yes. Brought yourself back to zero with... Right. Yes. The one that I really zeroed in on is 2001 Space Odyssey. You are referring to the main theme. Yes. Zarathustra. Yes. Z for zero. Good. Yeah. What is Zarathustra? I don't know. Do you need more research or would you like us to provide you with an easy access answer? Free of charge. Free of charge. The Lord of Light. The Lord of Light. In ancient texts on your planet, the Lord of Light, similar to Zoroaster. Zarathustra. The Lord of Light. Okay. Yes. I really, in 68 when I saw the movie the first time, was really more. was really moved by it. And when going through the music, that was the one besides the blue denues. That's really, I felt a lot of feeling. Yes. Now, when I listened to it, I went out and bought a CD player, and I got headphones so I could really get the full impact of it. Full impact. Uh-huh. Of the music, played it over and over. What was coming, what came up for me, was a number. announcement. Yes. It was like, God, here we are. All right. It's survival and announcement and everything. The herald. Yes. The trumpet. Uh-huh. Yes. And then last night I decided that I went out and got the movie. All right. And I wanted to, because when I go to the movies, the music is just a part of it, and it's never been, I've never just thought about the music by itself. So I wanted to see the movie to see where.

we are. All right. It's survival and announcement and everything. The herald. Yes. The trumpet. Uh-huh. Yes. And then last night I decided that I went out and got the movie. All right. And I wanted to, because when I go to the movies, the music is just a part of it, and it's never been, I've never just thought about the music by itself. So I wanted to see the movie to see where. see where the different pieces, where the different music was played, and what was going on at that time. Yes. And I'd totally forgotten about the movie. And that's that doorway, that black monolith. Yes. With dimensions of... Yes, with dimensions of, the monolith has dimensions of, ratios of... of the golden name one to four to nine the squares of one, two, and three. Oh. Okay, I didn't know that. Now you do. Yeah. One to four to nine. Yes. Okay. The squares of one, two, three. All right. Squares of one to three. Yes. All right. And that was very, that was very moving. And then I noticed that the one part of it was that they had some... Now this is... Remember, I was going to start to ask you in my dream, this is how this all started. When you got me off on the music, I was going to... You said, tell me more about that August-September date. Yes. And you said not until I brought the music in because it provides the harmonic structure. All right. And now? That helps the gravitational, gravitate everything else. Yes. Well, you're going to tell me that, you said, when I brought the music in. At the end, uh... That look to me like, you know, when it was the death and the rebirth of the child, the embryo, child and everything. Yes. And then opening up to the world. Can I remind me of the hybrid? Yes. And I'll tell you what else. Oh, all right. Do so. Okay. Remember the five rows of white flowers? The hybrid children, yes. Okay, that was, that's what I, only thing that I remembered from my testament. remember from my tesseract interaction. Yes. Was the five rows of white flowers. Yes. Then... The seeds of the hybrid children. The number of humanity, five. Yes. The white flowers for the new garden that is growing. Ah, okay. The hybrid children. And at the time when I had the dream, I also had a dream, and the only thing I got from it was go out and buy a high-biscous plant. High biscuits. High bread.