Monologue The Fox Bashar And Willa

A little say good morning to you this day of your time. How are you? All right. Once again, we thank you for the co-creation and the continuation of this transmission. Each and every time you afford us the opportunity to experience each and every one of you and all of you together. In this way, it expands our understanding. It expands our perspective of all the different ways that creation can represent itself. And so we thank you for the great gift of sharing that you are giving to us in allowing us to reflect to you what you already know, but perhaps have forgotten. Along that line, this day, this transmission has been titled The Fox, which is in a sense the symbol of the being that we have introduced to you previously, who goes by the name of Willa. of Willa, Hilacrising, the Parallel Reality Specialist, from what you would determine to be seven of your 100 years in the future. Although, of course, as we have said, all things exist simultaneously. Willa would like to discuss a little bit more about the aspects of parallel realities. And so if you will allow a moment, we will help to facilitate her transmission to you. All right, good day, cookies. False to cover. No need to go there. Now, we thank you. Now, we would like to share with you some ideas about what you call to call in your science fiction the idea of time travel, because as the Bashar has previously explained to you in your downloads, their downline, the idea is that, of course, everything exists all at once. And your ideas of time and travel, well, in your language are a little bit wonky. So we would like to clarify, in this particular transmission, the idea of time and travel, well, in your language, are a little bit wonky. ideas of exactly how that works with respect to the parallel reality concept. We will thus ask for a few volunteers, April. Would you thus then hand into your own self and three volunteers the diagrams that have been downloaded? We have provided a little bit of show and tell. Yes. Stand in a line in front. This way, one, two, three, four. And when they are standing in a line, hand out each of the pictures to them, but hold them down, don't hold them up, but one, two, three, and four. In that order. Have you created your line yet? It can be too, and it can be too, and it can be too. I am not the Bashar. And you don't need to be. And you don't need to be apologizing to me. No harm has been done. No harm has been done. Are you all lined up then? Are you all holding your pictures then? One, two, three, four, yes? All right, then. Number one, will hold up your picture. You can see it is a young version of the Bashar.

too, and it can be too. I am not the Bashar. And you don't need to be. And you don't need to be apologizing to me. No harm has been done. No harm has been done. Are you all lined up then? Are you all holding your pictures then? One, two, three, four, yes? All right, then. Number one, will hold up your picture. You can see it is a young version of the Bashar. Imagine, if you will, then. This is a snapshot, as you say. You have ten. He has taken a photograph, or he has taken a photograph, and it is a photograph of the younger self. Can you all see the image? All right, then, we're off to good start. Now, let us say he has grown up. Number two may hold up your picture to the same height. And you can see now he has grown into an adult. Can you all see this? So he has taken another picture of himself as an adult. And now, number three, he may hold up your picture. And you can see that he has built a time machine. And the adult decides to get into the time machine to visit his younger self in what you have called the past, what we call downline. And thus then, as he activates time machine, shame goes into that reality where now you can hold up picture number four. He appears next to the younger version and decides to take a photograph of himself with his younger self in order to have proof of his visit to his younger self. Now, one, two, three, four. You see this sequence before you. But if you're all still holding them up, yes? All right. Thank you very much. So you can see in this sequence the idea clearly that the last number four photograph of him as the adult standing with him as the child is not the same photograph of him as the child. Let us say in his sense that this is supposed to be the same moment in time because he has in your mind gone back to the exact moment when the first photograph was taken but you can see in the first photograph it only contains the image of him as a child. It does not contain an image of him as an adult. Only does the fourth photograph contain him as an adult with the child. And you can plainly see that in terms of the direction of time, it's still going this way, for this photograph has come after this one. And that photograph is not the same photograph as that one. Number four is a different photograph. And because they all exist simultaneously, you now can see as separate photograph as separate photographs all at the same time. Number four exist at the same time as one.

the child. And you can plainly see that in terms of the direction of time, it's still going this way, for this photograph has come after this one. And that photograph is not the same photograph as that one. Number four is a different photograph. And because they all exist simultaneously, you now can see as separate photograph as separate photographs all at the same time. Number four exist at the same time as one. So number four cannot be the same photograph as number one and thus cannot be the same reality. So you understand that the arrow of time has kept moving for that photograph exists after the first one. It is number four. So you understand they all exist in that way from the linear perspective and even from the higher holographic idea. They exist simultaneously. They exist simultaneously. And so that photograph is not the same as that. And thus the child itself that the Bashar is visiting is not the same child that took the original photograph. These are two parallel realities, even though they may have similarity in the moments in which they are being experienced. They are not actually the same perspective. They are not actually the same reality. You all can what we are saying to you. So this is a demonstration. of how the idea of time travel is not really what your science affiction has said it to be. Well, you may all lower the pictures and relax if you wish. And you may all put them away if you wish. And you may all take your seats if you wish. But don't take them too far. For we still have more to say. So as you now have seen this pictorial demonstration of the idea of the simultaneous of parallel realities, you can understand that. What men are you can't understand that. Many of you have called in your science fiction terms the grandfather paradox with the idea that if you go back in time and you kill your own grandfather, you'll never have been born, cannot really happen. You can never actually go back into your own timeline per se because the photographs have already been taken and what is in him is in him and what is not is not. And those moments are those moments and they shall never become any other moments. That moment with the child and it never becomes the moment. comes the moment with the idea of the adult in it because the adult was not there when that moment and that photo was taken. And that is a completely different moment and a completely different photograph that exists simultaneously and therefore must exist in a parallel world.

is not. And those moments are those moments and they shall never become any other moments. That moment with the child and it never becomes the moment. comes the moment with the idea of the adult in it because the adult was not there when that moment and that photo was taken. And that is a completely different moment and a completely different photograph that exists simultaneously and therefore must exist in a parallel world. And thus you can understand and begin to understand more clearly that when you have this insight into the idea of the simultaneous structure of parallel realities, you will nigh being confused in your mind, about the concepts of time travel and you will understand that those are just science fiction stories for your own amusement and they are not really representative of the actual structure of existence itself. But taking upon that cue from the idea of the simultaneously we have just demonstrated and these lovely volunteers were so good to help with. The idea then is that you can create new stories and new understandings and new perspectives of these things. of these things, that you can now tell yourselves tales that are more representative of the way all that is is actually structured in this sense. And we thank the Bashar for appearing so lovingly in those photographs. Now we will, in that sense, as you say, hang with you a little while to talk a little bit more about the idea of our symbol, the fox, because the fox is a wily one. And thus we take upon those attributes. those attributes of the idea that we have explained we are a nocturnal. We have explained that we are a different kind of hybrid. We have explained that we are what we call a cryptic. What in your old downline language you would refer to as a shapeshifter? And that we can take in that sense or project ourselves to be appearing as many different forms. And in appearing as many different forms thus then, we are using this idea of the simultaneous of different parallel realities that all exist at once to project our vibration into the idea that I can look like this and I can look like that. And these projections can allow us to shift our appearance in a variety of ways. But what is really happening in that sense is we are simply shifting our vibration, our perspective, and our consciousness into those different parallel realities, but doing it in such a way that allows you to ride along with us. For if you see the change that is occurring, if you see the shift of our shift, It is because we have generated an energy bubble in which can be contained and experienced a multitude of different parallel realities.

happening in that sense is we are simply shifting our vibration, our perspective, and our consciousness into those different parallel realities, but doing it in such a way that allows you to ride along with us. For if you see the change that is occurring, if you see the shift of our shift, It is because we have generated an energy bubble in which can be contained and experienced a multitude of different parallel realities. And if you are willing to match that energy frequency, you can be in that bubble with us, like the time machine photograph that surrounds you and unlocks you from any particular reality so that you can, in a sense, express any and all realities that you may be connected to through the oversold self. Is this making any sense to you? We don't want to be going too fast for you. fast for you. We want this to sink in so that you can begin to truly understand how to tell new stories of your own reality, for you are all shifting all the time. As the Bashar has said, billions of times per second, you are shifting parallel reality to parallel reality in order to even create the side effect that is called time and movement and change in your downline world. But this idea now is that you're also expanding your consciousness, and in expanding your consciousness, your consciousness in this way, you're going to be, in a sense, experiencing more of yourself, and more of yourself is connected in many different kinds of places and many different kinds of expression of yourself. And thus then, as you expand yourself, one of the symptomologies you may begin to experience, especially after we have demonstrated this linearity and the falsehood of the idea of the linearity and the simultaneity of the truth of it, you can begin to actually start seeing a little bit of changing, a little bit of shape, shifting going on more in your reality, even maybe one day as you peer at your gorgeous face in the mirror, you may find another gorgeous face staring back that looks a little bit different than you are used to seeing. And as you thus then experience that, please, as you say in your downline language, do not be freaked out. For it is only another version of your oversawed self, gazing back at you from eye to eye to allow you to establish that link, and allow you to know more consciously that the over soul extends many lives at once and that you are cross-connecting and can cross-connect. And you can have this experience in the reflective surfaces that you see.

please, as you say in your downline language, do not be freaked out. For it is only another version of your oversawed self, gazing back at you from eye to eye to allow you to establish that link, and allow you to know more consciously that the over soul extends many lives at once and that you are cross-connecting and can cross-connect. And you can have this experience in the reflective surfaces that you see. You may be walking down your street and you may be glancing in the window glass of the local shop and you may think for a moment that you have seen another reflection walking by and that may be just another reflection of a parallel reality version of a life being lived, life being lived now sometimes you know there are different versions of parallel reality reflections some of them may look very much like you some of them may look nothing at all like you some of them may not even be human so the idea thus then is to allow yourself to expand into that and absorb that and take that in and make it your own because it is your own it is your birthright to be in contact in whatever way shape or form serves your best with all the different representations now that are relevant to your particular life as you even serve those other lives that may take upon themselves information from you that is relevant to them from your experiences and it is this ultimate orchestration and this ultimate sharing of information and ultimate reflectivity from all of these different perspectives of your oversaw that really expands and increases the over souls experience of itself on its journey for it does have its own journey journey even as you have yours and even as the multitude of you have different journeys, the oversaw is experiencing all of you at once. And in that way is seeing all the different pictures and all the different photographs lined up side by side and knowing from that perspective that all those snapshots exist at the same time and experiencing them in any way shape or form and in any order it so desires back to front, front to back, upside down, backwards, inside out. This is the perspective. of the oversaw that expands it is to have all of your delicious experiences as part of its own simultaneously so that it can cross-reference, so that it can reflect and understand itself to be the combination and the sum of all of these different kinds of perspectives that each and every one of you are. Now, as has been pointed out, and we will point out a little bit further, the idea of the various kinds of parallel reality experiences. For one, we have just laid out, out to you, which is the idea of what you call the past and the present and the future.

itself to be the combination and the sum of all of these different kinds of perspectives that each and every one of you are. Now, as has been pointed out, and we will point out a little bit further, the idea of the various kinds of parallel reality experiences. For one, we have just laid out, out to you, which is the idea of what you call the past and the present and the future. These all exist at the same time and is one kind of a parallel reality stream. But there are other kinds of parallel reality streams as well. For we have also talked to you about, and the Bashar has talked to you about, the idea that there are also multiple infinite numbers of Earths and multiple infinite numbers of versions of actually your particular modality. In other words, there are an infinite number of versions of you on an infinite number. of Earths, all experiencing something slightly different or vastly different. So that's another direction of parallel reality. And to go further with that, each and every one of those parallel Earth versions of you also has its own past, present and future, parallel reality timelines to experience. And so it goes on and on and on in a multitude of directions, all of these parallel realities interacting in that way. And this gives you just the tiniest glimmyest The tiniest beginning of understandings of how the over-soul experiences itself in this multitude of directions of parallel reality experiences. It's a bit heavy, is it not? But the idea is you can let yourself sink into this in the warm embrace of the over-soul of which you are apart and which contains your experiences in that way, for the over-soul is like the ocean that supports all the drops of water that you are within it. And you can feel the ebb and the flow of the oversaw even as you experience your own tidal fluctuations in your own life path and in your own themes of exploration. Thus then, in keeping with the idea of the cryptics and the nocturnals and the shapeshifting qualities of my particular hybrid species, I will describe to you a little bit more clearly the idea of our particular physiological countenance I am in your understanding of counting the idea, like the Bashar, of about five feet tall. I am relatively slender in your terms of counting. My outward appearance is that which would be called a little bit dusty, the idea of something close to the concept of cinnamon, and you'll find in my hair being a little bit rough like the fox fur, and of a similar tone and shade. It is not the flowing locks that you often ascribe in your depictions of many of the future hybrids, for I look nothing like that at all, and I have a very mischievous blint in my eye. Are you having a good time, cookies?

idea of something close to the concept of cinnamon, and you'll find in my hair being a little bit rough like the fox fur, and of a similar tone and shade. It is not the flowing locks that you often ascribe in your depictions of many of the future hybrids, for I look nothing like that at all, and I have a very mischievous blint in my eye. Are you having a good time, cookies? Do you know why we call you cookies? Because you're baking, yes. and you're full of nuts and chips and you're sweet and delicious and we will eat you up. So then, we will actually now, take some time, if you wish to continue now, this transmission. in this way with your conversations and your questions. We are allowing the time to interact with you directly in this way, for the Bashar has facilitated this for us. And it is our gratitude and our appreciation to be speaking with you this day. So tarry not.