Part 1
Hi, Bashar. And are you good day! I am so excited and grateful to be talking with you right now. We are in gratitude as well. Okay, I have three questions. The first one is about the languages that I'm speaking in my sleep. Yes. Some of them are from Earth and some are not. All right. I was wondering if you could tell me more about. Well, again, as you expand your senses and make connections more consciously to other realms and other civilizations you have connections to, you may start to translate some of that information out in that way. It doesn't always have to remain silent. If you have a natural penchant to work with vibrations and words and sounds, you may, in a sense, channel some of the languages of other civilizations in some way, shape, or form into your reality. It may be your way of incorporating and integrating those vibrational ideas a little bit more concretely in your physical world for you. Cool. Are any of the languages I'm speaking from Sierra? from Sirius? Yes. Very cool. Thank you. Okay, so the next question is a clarification. Yes. I would really appreciate it. If you could help me understand more about the way we shift through parallel realities. You're doing very well. And the way we create memory from the present. Yes. Well, again, the idea is that you don't experience time at all if you're not shifting through these parallel realities. Again, the analogy is very similar to the idea of your film strip with its multiple frames. In any one single frame, there is no movement, no time, no experience. As you run the film strip past the projector light, you create the illusion of movement, of space, of change, on the screen, as a movie. It's a similar idea. Every single parallel reality is literally a frozen frame, no time, no experience. You shift your consciousness through the various parallel reality frames, like a projector light, and create the experience of continuity, the illusion of time, of time, space, change, movement. But you're doing that automatically billions of times a second. Billions of parallel realities a second. The increment, if you wish, the tick of the clock is what you have in your science is called the plank time and plank length. That's why it's the frames are billions of times per second. So smooth, so rapid, you don't even know you're doing it, but you're doing it all the time. It's never the same. reality. Never the same parallel experience from moment to moment to moment to moment. That's automatic. Can't help it. Can't stop it. Unless you go to another dimension where it's unnecessary. Does that make sense? Yeah. Now, that you thus then create that linear idea of time, then you have to order the information you're getting from other realities, other simultaneously coexisting experiences.
Part 2
it, but you're doing it all the time. It's never the same. reality. Never the same parallel experience from moment to moment to moment to moment. That's automatic. Can't help it. Can't stop it. Unless you go to another dimension where it's unnecessary. Does that make sense? Yeah. Now, that you thus then create that linear idea of time, then you have to order the information you're getting from other realities, other simultaneously coexisting experiences. You have to put it in some kind of logical order that you're logical order that your physical mind can process. So you've created the idea of beginning, middle, end, past, present, future, and whatever type of information you're cross-connecting to, you will place in whatever order it serves you best. So if the idea of downloading information from another experience serves you to explore your theme by placing it seemingly in the past, so that by placing it in the past, you can say, oh, well, because it's in the past, I have already learned from it. And thus you thus then know what you need to know, because you're assuming that if it's in the past, well, you must have learned something by now from it. You understand? But that memory is created in the present and you're just placing it where you think it will actually make the most sense for your journey experience. This is why we have talked about the idea of the 13th step, that every change is a total change. And when you actually make any change, you are left. literally a different person. And if you are literally a different person, then that means you actually have a different history than the person that was here a moment ago. Literally, a different history. And that's why, just to use the example of addiction, if someone actually suddenly realizes that they really actually are a different person, they will no longer feel the urge for the addiction, not because they have lost the urge, but because they have lost the urge, they never had it. It's not in their history if they have become a different enough person with a definition that has nothing to do with the definition of the person that was there a moment ago. So it's not like you lose the urge if you never had the urge. And that's why it's not there now. Wow, yeah, a total change. Every change is a total change. When you truly be a change, begin to wrap your understanding into that, you will understand how free you are to define who you are at every single given moment. So how does it work with a friend that you haven't seen in five years and you meet up with them and you both share the same memories from way back? Well, again, as we say, there are cross connections energetically.
Part 3
is a total change. When you truly be a change, begin to wrap your understanding into that, you will understand how free you are to define who you are at every single given moment. So how does it work with a friend that you haven't seen in five years and you meet up with them and you both share the same memories from way back? Well, again, as we say, there are cross connections energetically. And you have agreed that for some reason it serves you to have similar memories to play the roles you need to play. It's all by agreement. It's all an orchestration. It's all a play. You have your part. Your Shakespeare said it best. Yes? Life is a play. Wow, cool. You all have your scripts. You all have your parts. You can improvise, but nevertheless, it's a play. Cool, thank you. Does this help you? Yeah.