Series Of Parallel Earths Creating The Idea Of Continuity

Hello, Bashar. And you, good day. Oops. It's a real pleasure to meet you. And you as well. Thank you. Yes, ma'am. Fun with Earth technology. Fun with Earth technology, yes. And I've had it so much fun with your material. I've only found out about you a couple of months ago. I only just found out about you. What a coincidence. And those two. And those two months have been, oh my God, what a right, fantastic. All right. And so I have a bunch of questions that I want to ask. I'll be decent. I won't take too long, but I have a bunch that I would like to ask. We will answer what we believe is appropriate. Excellent. Thank you. I wouldn't expect less. Okay. So my highest joy is I'm exploring consciousness. I love to explore levels of consciousness and how to create reality, the reality that I prefer. Yes. And with that in mind, I have a few questions. Yes. I've heard you say that whenever you move your arm, let's say, from point A to point B, there's billions upon billions of realities. Yes. And each one is a snapshot of reality that it's in itself like motionless. Yes. No experience in it, a frozen snapshot. It's a series of parallel realities that you actually go through to experience what you consider to be a parallel reality. Because it's like frames on a film strip. Any single frame has no experience, no movement, whatsoever. You have to project it on the screen to create a series of movements that then give you the illusion of movement, time, space, and change. Excellent. So with that in mind, what do we call this that we're experiencing now? So if this is a billion realities... Yes. It's this particular parallel series of Earth. So does that mean that this reality is not a frozen snapshot? I mean it's like, I'm not like this and what I'm saying is your experience. that you call this reality is a series of frozen snapshots that you have created a continuity with. Thus, then you choose what the next frame is based on that concept of continuity to make it seem as if it's the same reality when it's not. Okay. Look again at the idea of frames on a film strip. You could actually re-edit that film strip in any order you wish, couldn't you? Yes. You can reorder it and still say, well, here's a new continuity. I'm looking at this reality now. You can put the frames in another order and say, well, that's a new continuity. Now that's that reality. Of course, again, we're meaning it's a series of parallel realities. But the series is what you consider to be a whole reality experience. The word experience implying a series of snapshots. Okay. I guess the hangout that I have is that if it's a snapshot, it has no motion, no movement. Correct.

this reality now. You can put the frames in another order and say, well, that's a new continuity. Now that's that reality. Of course, again, we're meaning it's a series of parallel realities. But the series is what you consider to be a whole reality experience. The word experience implying a series of snapshots. Okay. I guess the hangout that I have is that if it's a snapshot, it has no motion, no movement. Correct. That's why your consciousness has to shift from snapshot to snapshot, from parallel reality to parallel reality, in exactly the same way. The projector light has to shift from frame to frame to frame in order to project the illusion of movement on the screen. Okay. Make sense? So if I wish to move to a better reality that I prefer, then it's shifting into another movie, basically. Then all you need to be is the vibration that represents that reality, and that's the direction you we'll shift in. The idea, again, is that you are shifting all the time. It's just that you're shifting so smoothly, you don't really notice it. If you create a greater degree of difference between one frame and the next, you will start to notice that you're shifting all the time. Okay. It's just that you don't really notice because the increments are so small. One parallel reality can differ from another parallel reality by one atom. It's still a completely different reality. You understand? So you can make it seem as if you're changing slowly, or you can make it seem as if you're changing rapidly, you're always changing and always shifting at the same rate. It's just that the degree of difference between the frames is what determines your experience of slow or fast change. Okay. And I've actually experienced that in just these last two months, I've experienced that change. I've said, whoa, this is what I wanted. It's a complete different shift. I mean, I feel different. It's a different. It's a different. It's a different. I'm a different person. Yes. But I kind of wanted to get like the actual conscious awareness of it so I can explain it to what. Well, you will get that more and more. Again, that sensation, that visceral sensation of being able to perceive the shift will, to some degree, come as one of the symptoms of the expansion of your consciousness. Because in a sense, you're like seeing behind the scenery. You're seeing that physical reality is an illusion. It will start in some circumstances to be much more malleable. much more flexible, and seem much less real to you when it is necessary to do so. Other times it will seem very solid because you need to play that thing out. Okay. Because if it doesn't seem solid, there's nothing for you to experience.

consciousness. Because in a sense, you're like seeing behind the scenery. You're seeing that physical reality is an illusion. It will start in some circumstances to be much more malleable. much more flexible, and seem much less real to you when it is necessary to do so. Other times it will seem very solid because you need to play that thing out. Okay. Because if it doesn't seem solid, there's nothing for you to experience. So you'll shift between those states to give yourself the experiences that you need that will then add to your ability to realize that you are creating that experience, and it truly is an illusion or a projection of your consciousness. Okay. Makes so much sense. Yes, it does. Thank you.