Part 1
If you study the idea of then of story structure, you will understand it contains certain components. Of course, the being you call the hero of the story, which, of course, in this case, is you. You are the hero of your story. Now, we understand on your planet, this hero is sometimes called the protagonist, and that in many, many cases, in most story structures, there is, is what you call the antagonist, or in your colloquial language, the villain. Now, this does not have to mean that your story structure needs to contain suffering in the old way that you choose to define that. But it will contain and must contain challenges that allow you to grow, that allow you to transform yourself by transforming those challenges. So in this case, in no matter what form they come, you must understand that it is very important to allow challenges to continue to exist in your story structure, in the story of your life. We understand many people on your planet in this transformational age and what you call new age thought will often make an attempt to completely eliminate the idea of challenge in their lives, to completely and utterly eliminate the idea of limitation in their lives, to completely and utterly eliminate the idea of resistance in your life. And for the most part, you can transform these things in very magical ways to allow your life far more joy, far greater effortlessness in the manifestation of what it is you prefer. But as long as you choose to have a physical, experience, you will never completely eliminate the idea of challenge, resistance, or limitation. That would be counterproductive to the idea of experiencing yourself as a physical being and experiencing yourself as a story. For a story requires the idea of overcoming challenges, of transforming yourself from something you were to something you will be. And the only thing you were. way that you can actually experience that process of transformation, which is the entire point of living your life, in a sense. The entire purpose of living your life, in a sense, is to have some form of resistance or limitation or challenge to transform. So, the idea is that while you will transform these things greatly, you will continue to use these things greatly, you will continue to use these things to your benefit. The idea of retaining some degree of limitation, some degree of resistance, some degree of challenge in your life does not have to be defined in a negative way. There are positive limitations, positive resistances, positive challenges, and you have to be able to tell the difference. So the idea is that you are positive limitations, positive resistances, positive resistances, positive challenges.
Part 2
these things greatly, you will continue to use these things to your benefit. The idea of retaining some degree of limitation, some degree of resistance, some degree of challenge in your life does not have to be defined in a negative way. There are positive limitations, positive resistances, positive challenges, and you have to be able to tell the difference. So the idea is that you are positive limitations, positive resistances, positive resistances, positive challenges. that while you may truly transform all the negative ones, or at least most of them in your lifetime, you do not want to eliminate the positive ones because the positive ones, the utilization of the positive limitations and resistances and challenges are what allow you to transform the negative ones. This is the great paradox of storytelling structure. You actually can learn to use limitations. to transform limitation, to use resistance, to transform resistance, to use positive challenge, to transform negative obstacle. This is the great secret of storytelling. Because the idea of storytelling is that there is what you call a change, an arc, a transformation in your character from the beginning to the end, and in many places throughout the story. But the idea is that still at the end, even though the hero may be greatly transformed, they are still, important word, they are still relevant to the reality they are in. Because if they transform beyond being relatable and relevant, then no information is transferred to those watching or listening to the story. You have to remain in context in order to have transferred the lesson learned so that others may use the experience for themselves. And that means that even though you will be less limited, experience less resistance, experience less negativity in your challenges, you will still remain within the context of the physical reality that is by definition. composed of certain kinds of positive limitations, resistances, and challenges in order for your story to be relatable to others wishing to apply that story to themselves, wishing to learn from your experience. So please do not assume that you will simply eliminate all such limitations, all such resistances, all such resistances, and all such challenges, those things in the context of physical reality do not actually stop until you leave physical reality, until you cross over into non-physical reality. And even then, you can still create the experience of story structure with certain kinds of challenges, certain kinds of activities and resistances, and certain kinds of ideas that you can still create of ideas that you might label a limitation in order to experience yet again another challenging and exciting story. They will be different on that level, very different, far more free, in a sense, far less limited in certain ways. You will not be using the same palette of colors, but there will still be a palette.
Part 3
of challenges, certain kinds of activities and resistances, and certain kinds of ideas that you can still create of ideas that you might label a limitation in order to experience yet again another challenging and exciting story. They will be different on that level, very different, far more free, in a sense, far less limited in certain ways. You will not be using the same palette of colors, but there will still be a palette. So the idea is that story structure exists on many different levels, and you will not be not really divest yourself of it at all, completely on all of those levels. It will become more refined. It will become more streamlined. It will become more immediate. It may involve less space, less time. But the idea of story, the story you tell yourself about who and what you are exists all the way up to the level of all that is. Because all of you and all of us, are simply a story. All that is is telling itself about itself. We, you, all together, are the story of all that is. It is the story it knows itself to be. The only level in which story structure doesn't exist at all is the one. But the one doesn't know itself, doesn't experience itself. By definition, the one is just everything. The one without differentiation. So there is no experience of the self. There is no story.