The Power Of Paradox (Part 2 of 3)

Yes. So I went out and bought that plant the other day. All right. I haven't done anything with it yet, but I bought it. And so it's all of these tie-ins. Yes. And you- You're beginning to function holographically. By seeing different things coming in from different directions that will all come together in the center. Yes. Okay. And then the incense that disappeared, but that's probably just the door swings becoming well oil. It is the oiling of the door, yes. Oiling of the hinges, yes. And I've had every day upon waking this week, I've had quite interesting remembrance of, from my dream states. All right, but get to the point. Oh, all right. You said that you were going to share more information when I brought the music in. About the timing. About the time. And the month. Yeah. And the day. And the dream. Yeah. I just did. You did? Yes. About the hybrids? No. You are looking for a month. Are you not? See, it's the last, in my dream, I got the last week in August and the first week in September. Yes. All right. And so? And that there was production with Daryl, and it was the announcement and the billboards and 3D and all our goals. And so you have your last week in August and your first week in. September and so you are looking for something more specific in there in that window you are looking for what in that window I was looking for you said when you bring the music in never mind what I said what are you looking for in that window in that two week window what are you looking for what are you asking for I was asking you to tell us more information give us more information about about that upcoming event, the announcement. Yes. And? And? And I don't feel that you have given me based on the music and everything about the announcement. Or what's coming up? And you said you have. So I'm really totally losing this one. Let's go back to the doorway. Yes. One, four, nine. One four nine. Yes. One four nine. Nine, four. Four. Fourteenth, oh. That wouldn't be the first week in September, though. No, it would not. No, so that can't. It can't. Well, not if it's the last week in August and the first week in September. If you're going to be logical about it and linear about it, that's true. Fourteen days. Oh, okay. Two weeks. Thank you. Fourteen days, two weeks, yes. Ending in the ninth month. Yes. One four nine. Okay. Ah, the doorway. Yes. And thus then, what will help you understand how to align synchronistically with the event more strongly? Any structure, any doorway exhibiting those geometric ratios of one, four, nine. Okay. Yes. Is in contact? You are referring to your film? The film contact. Yes. Was there?

that's true. Fourteen days. Oh, okay. Two weeks. Thank you. Fourteen days, two weeks, yes. Ending in the ninth month. Yes. One four nine. Okay. Ah, the doorway. Yes. And thus then, what will help you understand how to align synchronistically with the event more strongly? Any structure, any doorway exhibiting those geometric ratios of one, four, nine. Okay. Yes. Is in contact? You are referring to your film? The film contact. Yes. Was there? that when she went into, or was it the pot or went into her? Yes. Was the structure? The sphere inside of the pentagonal dodecahedron. Well, that was that, so that was not the rhombic. No, pentagonal. Contagonal. Yes. Because I can see that. You can see that what? I can see that structure in my mind. Yes. I can turn that one and see it in my mind. Yes. mind. Can you? Yes. Does that mean that that's the thing that works best for you? Yes. Well, well, well. I've been seeing that with my eyes open and feeling that all week long. All right. Have you made one? Well, when I came in tonight, that was the one. No, I haven't made one yet, but that was what Jerry had brought in and we were very excited about it. The Pentagon. Yeah. Pentagonal. Dodecahedron. Yeah. Not rhombic. No, he didn't bring the rhombic. The pentagonal. You do not have. You don't want. No. No. Make one! Oh, you know, that doesn't excite me to do this, to make those. You said that is the one you can see most easily in your mind. I can see it in my mind, but... Yes. Why can't I just use what I see in my mind instead of having to make one? I didn't say you couldn't. But I ask you this question. Yes. When it is in your mind, how real is it? Oh, you're saying that's more like a vetheric rather than... Oh, I'm not saying anything. I'm asking you a question. Oh, how real it is? How real is it when you can see it in your mind? I can feel it. Can you? Can you? Is it real? Yes. Then that is what you have made. How do you wish to use it in relation to the understanding of the dimensions and racial of one, four, and nine. That I don't know. Figure it out. Okay. Okay. Don't make it hard. Don't make it complicated. Yeah, I like things easy. All right, then make it so. Make it so. Because I can really feel that. Make it so. And I can feel that much more than the tesseract. I could never get that picture in my mind. All right. Can you be in it? Oh, yeah. Oh, all right. And I could be rolling. I can roll in it. Yes. I have some kind of, I've interacted with that before, and I've rolled around in it before. All right. Stop. Question. Yes.

it so. Because I can really feel that. Make it so. And I can feel that much more than the tesseract. I could never get that picture in my mind. All right. Can you be in it? Oh, yeah. Oh, all right. And I could be rolling. I can roll in it. Yes. I have some kind of, I've interacted with that before, and I've rolled around in it before. All right. Stop. Question. Yes. With regard to then the 14 days we have called out. Yes. Have you been inside your pentagonal dodecahedron and then from there scanned to access information regarding that two-week window? No, not yet. And that's what you need to do. Okay, I will. Thank you. Thank you. Number two. Thank you again, Bashar. All right, good day, again, as you say. Good day. Does hemisink actually change your DNA? Is the use of hemisink technology? It can allow there to be not so much a change in the DNA, but a temporary alter-rate, alteration of the vibratory frequency of the pattern shifting. Yes. So that it can access or solicit a wider, more etheric vibratory resonance from the DNA structure. It doesn't so much change the structure as it does. Pull forth a broader band of resonance from the structure so that it can extend its field into the the etheric realm. But once you've used it, Yes. Then it's up to you. It's up to you. It's up to you to then recreate and match that frequency. Right. That's what I'm saying. It makes it much easier to make that vibrational match. For those that are willing to allow it to do so, yes. For those that are not willing to allow it to do so, it makes nothing at all. But yes, it can't make it seem easier. If you use that as a reflective tool, to give yourself permission to vibrate in accordance with that frequency from that point forward. Yes. Just to be more specific about it. Okay. And can you, I was not, I was totally lost when you were explaining to Ellie about the squares of one, two, three in the monolith from 2001. Can you tell us? The dimensions of the structure in relation to the side and the face, the width and the height, in the height is 1 to 4 to 9. The squares of 1, 2, and 3. Do you understand? No. The thickness. If the thickness of the monolith is a measurement of unit 1, then it is 4 units wide and 9 units high. Whatever that thickness is, if that's 1, then 4 times that is the width, 9 times that is the height. That is the dimension of the monolith. And 1, 4, and 9 are the squares of the width. the squares of the first three numbers, one, two, and three.

understand? No. The thickness. If the thickness of the monolith is a measurement of unit 1, then it is 4 units wide and 9 units high. Whatever that thickness is, if that's 1, then 4 times that is the width, 9 times that is the height. That is the dimension of the monolith. And 1, 4, and 9 are the squares of the width. the squares of the first three numbers, one, two, and three. My understanding from having seen the movie years ago was that the monolith was a two-dimensional object and had no depth. If you will, in a sense, look at it again, simply as a structure, you will see that the structure in your film had thickness. Okay. Even though it was multidimensional inside, and in that sense, offered no real dimensionality in any one direction, the actual physical, what you would call, prop had an actual thickness to it. And that thickness in ratio to the width and the height was one to four to nine. Was there any sense to you in terms of what that was supposed to represent and was there any accuracy in... I just explained that. Yes. I was lost. I was lost. That's because it's not for you. It's not your way. It's not the tool that will necessarily trigger resonance within you. Therefore, don't worry about it for the moment. Okay. Thank you. Thank you. You! Good day, then you. Number two, do you know who you are? Number two, do you know who you are? You think you know. Are you number two? All right. Thank you, number two. For realizing who you are. Number one. Good day. Hi, Vachar. Um, most of the time I really feel pretty ecstatic. All right. Most of the time I really feel pretty ecstatic. Now there's a qualified statement if we've ever heard one. Well, I'm still getting used to the idea. I'm still getting used to the idea. All right, that's fine. That's really okay to feel like that. You can feel however you wish. That, in and of itself, is a valid experience, and at this moment, that's who you are. moment, that's who you are, period. Yeah, and then that makes it an even more enjoyable choice. Exactly so, if you use it that way. So thank you. Yeah. Anything else? Thank you. Yeah, there was a question that I asked the channel, and I wondered about if I was going in the right direction. Do you remember our initial conversation? This day of your time? No. Random patterns. Yes. oxymoron, paradoxes. In other words, in your colloquial language, it will be a grab bag of many things spontaneously generated in the moment. There will be no particular overriding structure or themes. All right. Anything else? Well, I'm wondering about this thing that I observed where the... Are you going to tell a joke? You are going to tell a joke with a twist.

initial conversation? This day of your time? No. Random patterns. Yes. oxymoron, paradoxes. In other words, in your colloquial language, it will be a grab bag of many things spontaneously generated in the moment. There will be no particular overriding structure or themes. All right. Anything else? Well, I'm wondering about this thing that I observed where the... Are you going to tell a joke? You are going to tell a joke with a twist. I'm going to tell a three story. All right. Same difference. So this chicken is running across the freeway. Yes. And it goes all the way across and it gets to the meridian and it goes across that and just before it gets to the end of the freeway. Yes. Flat. The car hits it. Yes. And so the idea that this answered the question, why did the chicken cross the road? Yes. To get to the other side. The other side. Yes. Yes. Well, one thing I was wondering about is, I think that chicken, you know, was standing on the end of the freeway going, I want to get to the other side. And that was how maybe he stated his goal. The animal. Recognize. the reflectivity that those that would perceive of its experience and how that reflectivity would benefit them, and so out of unconditional love, gave of itself completely, so that you would have the ability to gain this reflective insight. Okay. It was not its goal. No, no, but see, I wondered if it was reflecting the idea that when you set goals, and when you ask for something. Yeah. Yes. You ask for it with your whole heart. Yes. Because it feels like it's true for you. Yes. You will always get what you ask for, though not always in the way that you think. Exactly. And that's what I was wondering. Yes. Yes. That is another lesson you can learn from this idea. The unexpected will always be a major factor in any goal, and that is a part of. the experience, not an intrusion or an interruption of it. The unexpected moment is in and of itself the true goal experience. Any experience, any goal that you set up for yourself is actually primarily for the purpose of arriving at a point where you then unleashed