The Creative Tap (Part 1 of 4)

All right. Hi, everyone. Hi. Hi. Thank you for coming tonight. How many people are here for the first time? Excuse you. All right. Thank you for coming. I'm not going to go into a long explanation about how all this started. If you have specific questions for me about that, at the end, I'd be happy to answer them for you. But for the new people, suffice to say that this channeling appears to be an interaction, a telepathic connection that was made between myself and Bashar, who presents themselves. who presents himself as an extraterrestrial consciousness. You don't have to believe that in order to participate. We don't insist on that. There's no way to prove it. The information seems to be what's important, seems to have the ability to help people. That's why we do the channeling. I've been doing this now for about 13 years. The way that we do this, you'll catch on instantly, is very informal. I will go into the altered state that allows the connection to be made. Bashar will come through and talk about what he thinks for a few minutes is an important subject, important subject to share. And then for the duration of the session, it'll be basically questions and answers for you to ask whatever it is that you feel is important for you to ask or that you want to engage him in discussion about. Again, for new people, it does not matter what the subject is. If it's important to you and you want to ask the question, by all means, please do so. It doesn't matter if it's personal or cosmic or what have you. The way that we will be doing this, now, this is will be doing this. Now, this is what's relatively new here, is that we are now being able to make tapes available of each session immediately after each session, if you want to copy. We also have, as it says here, a few other tapes available right now plus a list. But the way we're going to do this is that we have a wireless mic. Would you hold that up? So that when you do have a question, the mic will simply get passed around to you when Bishar calls on. when Bashar calls on you and then go ahead, hold the mic, just so we can get the question on tape because it's a little bit frustrating for people to hear the answer but not hear the question. So just go ahead and have that, and we can get the whole thing done pretty easily. When Bashar says, how may I serve you, you will see that the people that are familiar with this will just out loud say, Bashar, and he will point at you in whatever order he perceives is necessary. Then once you have the mic, just go ahead and ask him your question. like you would ask anyone a question.

just go ahead and have that, and we can get the whole thing done pretty easily. When Bashar says, how may I serve you, you will see that the people that are familiar with this will just out loud say, Bashar, and he will point at you in whatever order he perceives is necessary. Then once you have the mic, just go ahead and ask him your question. like you would ask anyone a question. Does anyone have any questions about procedures? Anything they think they need to understand in order to participate more easily here? No? Okay. Again, thanks for coming. Please have a good time. That's really the bottom line. And I will see you all later. Oh. Oh. I don't know. Oh. Oh. Hshaar Hshaar Hs HON. I don't know. Oh! H. H. Hshaar. Hs. And . I'm going to say. I would say good day to you this day of your day of your time. How are you all? Once again, allow us to thank each and every one of you for the co-creation of this interaction. Once again, each and every time that you allow such an interaction, such a communication to take place through this gate from our civilization to yours in this way. You allow our civilization to experience through each and every one of you an expansion of creation. By viewing the unique perspectives that each and every one of you present, we understand. that many more ways that the infinite has of expressing itself, so this is a gift of sharing to us. We thank you for that. We would like to begin this communication, this day of your time, with a few ideas as they may translate into your language as follows. First and foremost, we would like to discuss the concept a little bit of what we would call the creative tap. And then we would like to give you a tool, an exercise if you wish, that will allow allow you to utilize the concept of the creative tap in whatever way, shape, and form you so desire, to your own applications in life, to your own intentions in life, to help accelerate your ability to utilize your creative flow, what might be euphemistically called, your channeling flow, if you wish. It is up to you. It doesn't matter what the label is in your language. But the idea of allowing more intuition, more insight, more creativity in the application of how you approach certain circumstances, in your day-to-day physiological lives. The idea of the creative tap is, first of all, of course, to understand, as many of you are now beginning to understand more and more every day, that you are truly multidimensional being, that you really, as a total consciousness, not just the idea of your physiological self, but as a total consciousness, quite a bit above and beyond the physiological reality.

application of how you approach certain circumstances, in your day-to-day physiological lives. The idea of the creative tap is, first of all, of course, to understand, as many of you are now beginning to understand more and more every day, that you are truly multidimensional being, that you really, as a total consciousness, not just the idea of your physiological self, but as a total consciousness, quite a bit above and beyond the physiological reality. You really do occupy an infinite number of dimensions simultaneously, with the one that you presently occupy as physiological beings in what you consider to be the typical here and now, or at least as you have been taught that concept. The notion that you now know or begin to recognize yourself as multidimensional beings, coexisting simultaneously in a number of what might be called parallel reality experiences, whether physical or non-physical doesn't matter, whether third-dimensional, fourth-dimensional, fifth-dimensional, six-dimensional doesn't matter, but that you begin to comprehend that there are a number of simultaneous experiences that your total consciousness is actually having, along with this one, is the key. The idea being thus that when you tap into the concept of creative imagination, you can begin to realize that what you're actually doing is tapping into a number of different probable reality experiences that are happening, that are occurring, that a portion in a sense of you, or some aspect of the total you, is actually experiencing somewhere, some when, somehow, in some dimension of reality experience. Imagination is not truly, ultimately, totally imaginary. You cannot really imagine non-existence, so everything you do imagine exists somewhere in some level of reality. It may not necessarily always have immediate applicability in your third-dimensional reality. It may not necessarily ever manifest what you imagine in your third-dimensional reality if it is not really pertinent to the physiological theme that you chose to explore for this present life, but that does not mean it is not real. The idea, therefore, to understand, however, is that there are still a number of applications that you can utilize the tapping into of these experiences for, in terms of telling stories and using it for artistic purposes to illustrate ideas and points and get notions across to individuals that will help make transformations and changes in the mind possible, to, shall we say, stimulate, either intellectually, emotionally, physiologically, whatever you wish to use it for, but creatively stimulate the idea of how to look at life from different points of view, from different perspectives, from the different parallel reality experiences that you are having as a total being simultaneously, you draw from those experiences and decide what is pertinent of those experiences to put into certain forms in this reality to share with others or to just share with yourself, to allow yourself to know that that you can be inspired by the understanding whether conscious or unconscious of your greater beingness, of your reflection of the infinite, in the recognition

different parallel reality experiences that you are having as a total being simultaneously, you draw from those experiences and decide what is pertinent of those experiences to put into certain forms in this reality to share with others or to just share with yourself, to allow yourself to know that that you can be inspired by the understanding whether conscious or unconscious of your greater beingness, of your reflection of the infinite, in the recognition that you are gleaning these experiences and these ideas and these notions from somewhere that is really real in its own terms, in its own context. By doing this, by knowing that this is what you're doing, you will actually begin to have more conscious recognition of these parallel reality experiences and be able to draw upon them at will, as you say, to be able to look at them and scan them, if you will, to dive and delve into them, to truly tap in like a siphon, like a valve with your creative imagination, and paint entire scenario. This is done, of course, quite often when you utilize your creative abilities, either in the idea of writing or art or acting or singing or dancing or any number of different things. In no way shape or form does this take away from the validity of the creation in here and now from your physiological perspective. We are not saying that you do nothing, that it all comes from somewhere else. It comes from the here and now as well. You as the impetus, as the creator in this reality, are the trigger mechanism that thus then goes searching for what will work to tell the story, to tell the tale, to express the self creatively, and you are still drawing from the total self, no matter from what portion of the total self or or where or when that may be. The idea simply is to understand that you're also doing this in reverse. For many of your other parallel realities, past lives, future lives, alternate dimensional experiences, you are drawing from this reality, from this life, from these experiences you are having here to paint very interesting and creative pictures for the individuals who are experiencing that reality as a unique reality. Who knows? of the things that you may consider to be very mundane portions of your day-to-day existence may sound like the greatest fantasy to other portions of yourself in other parallel dimensional realities. There may be individuals in those realities who hear of the tale of the ideas of large expanses of liquid water that you call oceans and say, oh, what nonsense, what a fairy tale, that is science fiction.

a unique reality. Who knows? of the things that you may consider to be very mundane portions of your day-to-day existence may sound like the greatest fantasy to other portions of yourself in other parallel dimensional realities. There may be individuals in those realities who hear of the tale of the ideas of large expanses of liquid water that you call oceans and say, oh, what nonsense, what a fairy tale, that is science fiction. And yet you know that this is a part of your daily routine to the point where you don't even really always pay attention to the fact that you have this huge, undulating body of water, perhaps even two feet away, or that you may even be immersed in it, thinking of other thoughts while you're floating along in a phenomenon that may not exist in many other worlds. The idea to really understand again is that this is simply a point to put you in touch with your multidimensionality and to understand that you really are and to begin to experience that you really are bigger than you have known yourselves to be in the past, bigger than you have been taught to believe that you are, that you really are made in the image of the infinite creator, and that means you are more. multidimensional creators as well. We now would like to share with you a simple idea, a creative tool that you can use, if you wish, you do not have to. And in sharing with you this idea of this creative tool, we of course will remind you in the spirit of what we are discussing that if your imagination should in any way, shape, or form, seek to change what it is we are about to suggest to you as a tool, we would strongly urge you to let it, because your imagination knows what it's doing. Your imagination is specifically vibrational keyed and attuned to your specific chosen themes in your physiological reality of this life. So let it adjust this image and adjust this tool and this exercise in whatever way, shape, or form it sees fit as long as you believe that it is doing so according to the idea of the strongest, most exciting creative energy, then allow it to do so. This is the tool we would like to share with you now. You may create this for your yourselves in your own time, at your leisure, if you wish. We call it the Council of Nine Codex. Imagine, if you will, quite simply, the idea of a square. You may draw this, you may paint it, you may do this in whatever way, shape, or form you so desire, you may hold it in your imagination and not physicalize it at all. It is up to you. But imagine this in general or specific, if you wish.

time, at your leisure, if you wish. We call it the Council of Nine Codex. Imagine, if you will, quite simply, the idea of a square. You may draw this, you may paint it, you may do this in whatever way, shape, or form you so desire, you may hold it in your imagination and not physicalize it at all. It is up to you. But imagine this in general or specific, if you wish. A square composed of nine squares, as you see, say three on top, three in the middle, three on the bottom, or three on the left, three in the middle, three in the right, or three diagonal, left, three diagonal right. However you wish to look at it, it does not matter, but a square composed of nine squares. Three of the squares will be devoted to the concept of spirit. Three of the squares will be devoted to the concept of mind. Three of the squares will be devoted to the concept of body. If you wish, allow the three squares devoted to the concept of spirit to be represented by the idea of the color blue, of the mind by the idea of the color green, of the body by the idea of the color red. Now not that the squares themselves have to be those colors, although again they can be. It is up to you. We would strongly suggest that then you take your time and play with this idea and in each square allow yourself to create or find a glyph, a shape, a picture, a representation, a for each of the three categories in each of the three squares in each of the three categories. For example, make, create, find, three glyph shapes, pictures, or what have you, that represent the idea of three different aspects of spirituality and allow them to be blue and place them in the three squares that you believe best represent the idea of spirituality. They do not have to be in a line. It is up to you as long as you believe you can keep track of what you're which ones they are. Three glyphs, three shapes, three pictures, three ideas that represent spirituality, three that represent the idea of the mind and three that represent the idea of the body and or physical reality in general. When you have a