The Oyster And Polarity Of The Pearl (Part 3 of 4)

Good evening, Bashar. Number one, good day. Good day. I bet you don't know what I want to talk about. Well, since our society doesn't have any money, I can't really place a bed anywhere. Would the name crop circles be familiar? Oh, it strikes a chord. Good. Um... Mathematically speaking. Which chord? Which chord? Which chord? Which chord does it strike? Does it strike? The ones that have to do with circles? Do you not find in what you would call your mathematical nomenclature that the idea of chords have to do with measurements of circles? Look it up if you are not familiar with this, but you will find that the term cord has to do with the idea of intersections and lines and measurements that have to do with circles? Oh, good. And that is also a clue for you. Um, I was, I was, thanks for the clue. You are welcome. Um, a man in a store said to me the other day, he said, magical phenomenon. And as I was driving home, I was struck by how in our society we've just about had all the magic squeezed out of us. Oh, all right, yes. And how one of the, you know, how often you get blank walls from people when you're discussing this with a new person and if they haven't seen the photos and da-da-da, or your own family members. Yes, and so, is this of importance to you? It is in a sense that it's part of why we haven't caught on to the joy that we could be experienced. Yes, I understand that, but what's that got to do with you in the fact that you know your own joy? Why are you concerned about the blank walls that others will create when you yourself know that no blank walls exist for you in your excitement? Are you doing what you do in an attempt to take responsibility for other people again? No. Oh, alright. Then, what is this conversation about? It's about... Yes. Okay, well, there was actually another subject. Oh, alright. You may shift gears if you could. Good. Um. Obviously there's an extraterrestrial connection and many people, therefore, because the grays are on so many people's minds, assume that the grays have something to do with us. Well, they have something to do with it. But what do you mean? Just what I said. They have something to do with it since we have already told you that this is, to some degree, a collective phenomenology.

may shift gears if you could. Good. Um. Obviously there's an extraterrestrial connection and many people, therefore, because the grays are on so many people's minds, assume that the grays have something to do with us. Well, they have something to do with it. But what do you mean? Just what I said. They have something to do with it since we have already told you that this is, to some degree, a collective phenomenology. So anything that you are dealing with now and anything at all that's interacting with your species, in some way, perform on some level to some degree is involved but it may be very peripheral it may be specific at certain times they have something to do with it but that doesn't necessarily mean anything in particular you have to take it case by case and so so are they would just be one of the many civilization let me put it this way do you have something to do with the fact that your city has a certain population population? Well, I'm one of... Thank you. Then you have something to do with it, don't you? Is this confusing? No. Then what is your hesitation about this? To try to be more specific. You are trying too hard. Keep it simple. Okay. Do you have something to do with the population of your city? Just the fact that you exist in the city, doesn't that mean you have something to do with the number that someone would come up when counting a number? heads well I'm kind of in the same neighborhood as what as as as others in the city so so so it has something to do with the ultimate number that someone would come up with when taking a census of the general city in which you live you have something to do with the final number by living there don't you yeah well then the grays have something to do with the crop circles but it doesn't seem like they're very directly involved did I say that no I just want to clarify it it has been cleared You will not let it clear. Sometimes they may have something more specific from time to time to do with it. But many times they don't. They are simply as peripheral as you are with regard to the concept of the census of your city. But sometimes, sometimes they may be more directly involved in the same way that you might be more, from time to time, more directly involved with the goings-on of your city. Does that make sense to you? That's all always. we are saying. Yeah. All right. And? Are there other civilizations from other planetary systems that are more directly involved? Sometimes. Sometimes. Are you looking for a pat answer? Patricia? Yes. But I'm not going to get one in this phenomenology in that context. Okay. It fluctuates. It fluctuates. I'll ask you this question.

time to time, more directly involved with the goings-on of your city. Does that make sense to you? That's all always. we are saying. Yeah. All right. And? Are there other civilizations from other planetary systems that are more directly involved? Sometimes. Sometimes. Are you looking for a pat answer? Patricia? Yes. But I'm not going to get one in this phenomenology in that context. Okay. It fluctuates. It fluctuates. I'll ask you this question. Are you familiar with the idea of what you call the color green? Yes. All right. Now when I say green, you understand there are also many different shades of green, do you not? Many. Many different tones. You understand? Yeah. All right. Now, in the idea of pigment, the creation of green is generally the product of the blending of blue and yellow. You follow me? Mm-hmm. So, is yellow involved? Yes. In the creation of green? Yes. Is blue? Yes. All right. Now, is yellow involved in the creation of forest green? Yes. But to the same degree that is involved in the creation of lime green? Ah, no. Well then. Sometimes the grays are more involved as in lime green. Sometimes the grays are less involved as in forest green. Are the grays lime green? No, I'm kidding. I'm kidding. No, because then you would call them the greens. So, does that help illuminate the idea a little bit more clearly for you? Yes, it does. Then, from there, you wish to proceed to? What? the luminosities. Luminosities. All right, let us speak of illumination. Okay. The connection to Sirius, to Sixth Dimension. Yes. Is this where they seem to be popping through from? That would be very misleading. The idea of the level you recognize Serious consciousness, six density to exist upon is involved. Saying that they pop through from there might be misleading, but it is involved in the making up of the matrix, yes. The serious energy, shall we say, adds, well, an oomph to the phenomenon that allows you to perceive it in certain ways, especially with regard to the idea of the quality and nature of light. So yes, it is in that sense very involved, but to simply say does it pop through from there is misleading and misdirecting. Does that help? Well, the umph is kind of like the pot. Well, it's like saying you are baking a cake or any kind of confection. You could say that in this case, serious is the sugar. How much sugar determines how sweet. You understand? So, if there were less sugar, the phenomenon would not be quite as perceptible. But the fact that the serious energy is involved to the degree that it is, gives it. to some degree the quality of luminosity that it has in the same way that the sugar would give the cake the quality of sweetness that it might have. Oh, I see in terms of kind of balance and scale.

how sweet. You understand? So, if there were less sugar, the phenomenon would not be quite as perceptible. But the fact that the serious energy is involved to the degree that it is, gives it. to some degree the quality of luminosity that it has in the same way that the sugar would give the cake the quality of sweetness that it might have. Oh, I see in terms of kind of balance and scale. Yes, exactly. Yes. Ah. Okay. So the connection and resonant identification, vibration, of the serious connection of the serious connection that exists on your planet, that reflection is utilized to help manipulate that phenomenology so that you will perceive the illumination in the way that you do. That is the factor that is used to help fine-tune the illumination on that particular level. Does that make sense to you? Yeah, I was talking specifically about the balls of light when I said serious. Yes, I know. The serious energy is utilized in the formation of that to help give it certain kinds of luminary quality. It's not the only thing involved. Right. But the luminary. this quality, the quality of the light, to some degree has a lot to do with the involvement of serious energy, yeah, and the reflection of serious energy to all of you, because you contain serious energy as well. So it is reflective on one level of your connection to serious, all of you, and sometimes more specifically, to specific individuals who may be observing the phenomenon directly. So also, the quality of the luminosity. will also vary depending upon the individual that may be perceiving them. You follow? Depending upon the degree of awareness of the serious connection that an individual may have within themselves will determine the way that they actually perceive the luminosities. And of course, the degree of other connections that the luminosity represents in terms of how it is being manipulated within the electro-magnoplastic, etheric energy of your world. Does this apply to seeing it on film as well as in person? Yes. because your film is only an extension of your consciousness as a tool. So there's some people who actually see that piece of film and they can, they don't see the luminosities. Well, that is extreme. That will be rarely the case. For the most part, your people have learned to put a lot of their trust into the concept of their technology that you call film. But yes, from time to time you will find there may still be variants within even the idea of the extra sensory perception that many of you believe film is capable of giving you. But that will be rare. that they will not perceive it in any way, shape, or form, once it has in a sense been committed to film. You follow? Yeah, yeah. And the sound that's going on before a crop circle?

But yes, from time to time you will find there may still be variants within even the idea of the extra sensory perception that many of you believe film is capable of giving you. But that will be rare. that they will not perceive it in any way, shape, or form, once it has in a sense been committed to film. You follow? Yeah, yeah. And the sound that's going on before a crop circle? Again, sometimes this is simply indicative of shifts in resonance, in frequency, in the gathering together, in the organization of the particular electromagnetic matrix that may be being utilized in the creation of such. Are there different things? for? Different pitches sometimes, yes. Would you say they're less than 10 used overall or more than 25? There have been as many as 30 different pitches so far. There will be more. Okay. And I, to get back to the question of the magic. Yes. Yes. I guess I asked it because I obviously am interested in helping people realize that we do live in a magical world all the time. Yes. Well, just by being yourself, the individuals who are willing to be helped in realizing that will be attracted to you magically. So in other words, when you see one of those stone faces go down, you just turn the corner rather than bump into it. You can always, as you say, share what you want to share. what you want to share, but why beat your head against the stone wall? You understand? You don't have to crack it. Go the direction that you need to go. Once you have made an attempt, if you see that it is simply having no effect, why would you want to spend more energy trying to have a bigger effect when obviously it is not important that you do? It seems too, though, that not believing in magic, also plays a part in people being afraid to say something is magical or this film is real because they're afraid that they're going to be caught and shown. Yes, of course it plays a part. Of course. That they're wrong. So. And is this something that has developed since, because of Santa Claus, because of, in our childhood that... Yes, in some senses you are perceptive in that your world has trained you to be disappointed in that sense. Then yes, many times, times individuals are now, quote unquote, by habit, afraid to believe in the magic because they are afraid to be disappointed again. But we're all kind of born magical beings. Of course. And then we hit this amazing downfall or disappointment. Yes, but this chain of behavior has been being taught for thousands of years, and when you are born, you begin to absorb it telepathically immediately. Right.

in that sense. Then yes, many times, times individuals are now, quote unquote, by habit, afraid to believe in the magic because they are afraid to be disappointed again. But we're all kind of born magical beings. Of course. And then we hit this amazing downfall or disappointment. Yes, but this chain of behavior has been being taught for thousands of years, and when you are born, you begin to absorb it telepathically immediately. Right. Really, by the time, in that sense, In that sense, even sometimes you are a year old, but definitely by the time you are three of your years old, you're usually locked into the telepathic matrix pretty well. Different degrees, of course, for different individuals, depending upon different circumstances, but in general you are locked in by about age three. Therefore, you will also recapitulate some of the things that you have absorbed telepathically, and it is now important to break those chains, yes. And obviously that's something in the crop circles are doing for a huge amount. Yes. You are talking to yourselves in your dream states, waking yourselves up through those symbols, yes. In that sense, it is like the symbology of the collective consciousness that is dreaming itself awake. You are talking to yourself. Now I will give you another tool to play with if you wish. Yes. All right. We have some time ago given you the following formula to determine the vibratory frequency of anything. That is, Take what you would call, just to use the example of a planet, the circumference of that world. In whatever measurements you wish, let us say for now for you, in miles, you understand? Yes. And you divide that by what you call the speed of light in the same denomination. In miles per such and such, you follow? Yes. By dividing the speed of light into the circumference, you will arrive at the appropriate frequency, the appropriate wavelength and frequency for that particular world or circumference. So since the circumference is a circle, you can then take the crop circles and in measuring some of the actual circles, dividing the circumference by the speed of light will actually give you the frequency of that circle. By matching with electromagnetic energy in any shape or form you wish to, or or other forms of energy, that frequency, you will create a null point while in that circle, as long as that circle still exists. And by creating that null point, by matching its frequency, you can actually create an unlocking of a reality domain and perceive a slippage of space time. So match the frequency of the circles by dividing the speed of light into their circumference and then recreating the vibration somehow in the present of that circle. It doesn't even have to be the entire glyph. Even a single circle within it sometimes will do. Well, that's what I was going to ask you because they're so large now.

actually create an unlocking of a reality domain and perceive a slippage of space time. So match the frequency of the circles by dividing the speed of light into their circumference and then recreating the vibration somehow in the present of that circle. It doesn't even have to be the entire glyph. Even a single circle within it sometimes will do. Well, that's what I was going to ask you because they're so large now. We are starting simply for you. So start with a single circle. Start with the circles. It will, to some degree, also work with anything that is a triangle. So take the measurement of the three sides, treat it as a circumference, and divide it by the speed of light. You will get the appropriate frequency that you need to use in order to replay it while in that formation, in that particular area of the formation, then you will experience disorientation at first, perhaps, but a true unlocking of reality domains. As you yourself create the null point, the zero point. Okay, but how do you play the frequency? I just told you any way you wish. It can be sonically, it can be electromagnetically, as long as it is actually radiating within the presence of the circle somehow technologically. Do you understand? You can even sing it if you could do you could, match the frequency, but that may be more difficult for your human vocal cords than an electronic device that could recreate the idea of the tonal sound or frequency pitch. You follow? So if you find that you come up with an answer, let's say for a particular circle, that it is 3 million cycles per second, then you need to literally create an electronic signal or an acoustic sound that vibrates at 3 million cycles per second and play it in that circle. You understand? Yes. Yes, I do. When the young boy who took the photograph of Oliver's Castle luminosities and the circle being made the summer, what was the cycles per second? You must find that out. He was experiencing. You must find that out. Do your homework. I have just given you the tool. Take your measurements, do your homework. He would have been hearing and he would have been hearing... He may have, although if he was not directly in it, in it at the formation, you may have heard peripheral offshoot harmonics. The cycles per second would still be in there, but also remember there are many different diameters within that particular formation and therefore many different harmonic overlaps. Do you understand? Now that's another thing you can do, especially if a formation happens to be a number of different circles of different circumference and diameter, you can actually recreate all of the different ones and create the same harmonic overlap.

may have heard peripheral offshoot harmonics. The cycles per second would still be in there, but also remember there are many different diameters within that particular formation and therefore many different harmonic overlaps. Do you understand? Now that's another thing you can do, especially if a formation happens to be a number of different circles of different circumference and diameter, you can actually recreate all of the different ones and create the same harmonic overlap. And an actual fact, here it comes, you will find it you will find that if you do it in the right way, you will actually start creating circles. You understand? If you create the harmonic overlap in the right way, electronically or acoustically, as long as the amplitude is the appropriate amplitude, the appropriate power behind the radiance of that frequency, you can actually see yourself creating circles in the week. It will obey you just as much as it obeys everything. If you create, recreate the appropriate pitch. If that's the case, then the luminosities are sometimes there to be witnesses. Yes, they function that way as well, but they are also many different kinds of things that we will discuss at a later time. All right. You may find that when you achieve the appropriate harmonic, you may also see luminosities. Ah, very good. Could you be in one, the luminosity? The way you have asked that, I will say yes, if you take it quite literally. quite literally because all is within. And if you remember what we talked about this day of your time in terms of the pearl, you may understand something even more profound about the luminosities than you think. Thank you. Female, then male. Number two, do you know who you are? All right. Number one, good day. Good day to you. It's been a while since we interacted in this way. Oh, all right. Time is relative. Do proceed. I'm currently studying with the Brazilian healer and working with an energy of the seventh ray or eighth ray. Are you familiar with this? Yes, it makes sense. So, what are you doing with this idea? Are you yourself then allowing yourself to recognize your own healing potential? Is that what you want to do with this? I am exploring to be more of myself. Which means, how do you? want to express that what excites you the most in terms of an application of what you are exploring? Is it to be a healer in a particular modality? Is it to express it in some other way? What excites you the most? The healing is definitely a place of, touches me deeply. Oh, alright. So you are saying that you want to express yourself as a healer? Is that what you are saying? That's what I'm doing. In what modality then? Do you do this? Right now it's in energetic. massage through hands-on and working with the etheric.

healer in a particular modality? Is it to express it in some other way? What excites you the most? The healing is definitely a place of, touches me deeply. Oh, alright. So you are saying that you want to express yourself as a healer? Is that what you are saying? That's what I'm doing. In what modality then? Do you do this? Right now it's in energetic. massage through hands-on and working with the etheric. I'm interested in those that are working with this, though, on... Interested in what way? To understand, I don't know, just to understand them better, I think. Then why not go talk to individuals who are working with this? And find out what they know? Well, you have many mental on your planet, all of you. Why not find someone who is already doing what it is you say excites you the most? And as you say in your language, go hang out with them. Let them rub off on you? Yeah. Well. Well, I'm doing that. Well, then, what else do you need to do? I want to... What is your uncertainty? Um... Yes? I don't know. Yes, you do. I don't know how to exactly put it into words what it is. it is I mean... What do you think you need to know? What do you think you need to learn? And even if you don't have a mental cognition of that specifically, do you not feel or know that you can learn it by exposure or through your own imagination? Yes. Well then, what do you need to know from me that you don't already know? Instinctively. Exploring it with you sometimes gives me insight. Well, by all means explore it. I mean, I've been utilizing your tools. Yes. Yes. That you, that I... Suggested. The tools from the workshops have been very, very powerful and... Oh, well, don't forget that you can invent your own tools, you know. Yeah, I do that too. All right, then. What else do you need to know? Are you forgetting to laugh? Probably. Well, then, there's one suggestion I can give you. Laugh more often. All right. Okay. I have a question about my own physical... I've been, I've gone through the change, as far as having a menstrual cycle through the change of... Are you referring to what your people call menopause? Yeah, that's it. Oh, all right. You do have a word for it. You can use it. Yeah. I don't think of it as that. I don't know why. Well, it doesn't matter what you think of it as. It would simply help as a reference point. All right. I've gone through menopause. Oh, all right. And so. And I'm still having hot flashes. flashes although I haven't... And so? Well, I find them uncomfortable and I... Well, then find a way to use the energy. Okay.

it. You can use it. Yeah. I don't think of it as that. I don't know why. Well, it doesn't matter what you think of it as. It would simply help as a reference point. All right. I've gone through menopause. Oh, all right. And so. And I'm still having hot flashes. flashes although I haven't... And so? Well, I find them uncomfortable and I... Well, then find a way to use the energy. Okay. Remember, it is really the same thing on the other side as the kinds of things you experienced when you went through puberty. You understand? Many people on your planet go through puberty, and in that sense, figure out ways to harness and utilize the energy to some degree, but rarely do you find individuals saying, oh, we've got a way to stop that. Stop that. No. In that sense, to some degree, it is a natural thing. But that doesn't mean you have to necessarily be uncomfortable with it. There are things that you can do to balance your body and balance your form to allow yourself to transform the energy in positive ways and flow it through yourself and channel it and use it creatively. And so you can transform it in that sense, yes. Like an irritant? Something like the... Yes. But in that it doesn't have to be necessarily experienced as an irritant once you understand how to use it as a seed. Okay. So yes, be your own pearl, be your own oyster. All right. All right? Yes. Does that help you? Yes. Thank you. And the mail. Number two. Good day. Good day and this is my first time here with you. But it is our first time communicating with you as well. Thank you. My question or statement or... Yes. You catch on quick. Thank you. I would like to know I would like to know what you would have to give me in the way of guidance. With regard to? With regards to my own becoming of my own understanding of who I am and my own pearl, as you have said. Well, you've already heard us talk about the idea of following your excitement. Does that seem absurdly simplistic to you? Not at all. Well, then why isn't it sufficient? My question is... Yes. Yes. Who has been coming to me over my lifetime, particularly in the last three months. In what way do you experience this coming? Through meditation, an individual directly in front of me. And do you get an appearance? Or a perception of an appearance? A perception of an appearance. That can be described as... A Christ individual. All right, and... Can you give me some type of information as to what it is that I am going through at this point. Now that I have come to understand my own power... Are you sure that you have come to understand your own power? That's the question I'm asking. Oh, all right.

an appearance? Or a perception of an appearance? A perception of an appearance. That can be described as... A Christ individual. All right, and... Can you give me some type of information as to what it is that I am going through at this point. Now that I have come to understand my own power... Are you sure that you have come to understand your own power? That's the question I'm asking. Oh, all right. Then I give it to you this way. In that you are co-creating a reflection of what we call the world spirit, the collective consciousness, what you have called the Christ consciousness, the Buddha nature, the Krishna spirit. It doesn't matter what name you use. It is the world spirit collective consciousness, awareness of the total self. in that you are giving yourself as a guiding beacon to become more of yourself all that you know you can be, then simply using it in that way for that purpose is really all you need to do. If it gives you, shall we say, a certain feeling to perceive it, if it guides you by leaving you with a certain vibrational flavor that feels more like the way you want to be, then that's its purpose. is to pull you into more of yourself to let you know that you are exactly equally that thing too, that energy, that face, that perception, that being, because all of you individually, not only collectively are the world spirit or the Christ consciousness or the Buddha nature, but individually you are also the Christ consciousness, the world spirit, the Buddha nature, the Krishna being, whatever you wish to call it. Because each part is the whole expressing itself as a part. And the away. within you, what some of you have euphemistically religiously called the second coming is the awakening of that recognition and awareness within each and every one of you. And the then appropriate behavioral change that goes with it to be like unto what you perceive is guiding you. And what would be my relationship to all of this with my own desires to produce certain things at this time? Your relationship to it would simply be that as you do allow yourself to exhibit more and more and more of your true self, you will ultimately only choose to do those things that are representative of your true self, that is the things that excite you the most, that contain the most creativity, the most joy, and you will choose to do nothing else, nothing, nothing, not one iota, nothing else. And that will make all the difference not only in your world, but in the world. In terms of you, functioning as a shining example and a reflection of how individuals can actually live in their truth, moment to moment all the time. My last question would be, does that help you? Yes, it does. All right.

the most joy, and you will choose to do nothing else, nothing, nothing, not one iota, nothing else. And that will make all the difference not only in your world, but in the world. In terms of you, functioning as a shining example and a reflection of how individuals can actually live in their truth, moment to moment all the time. My last question would be, does that help you? Yes, it does. All right. My last question is, what is my relationship to the crystal skulls? One moment, one moment, one moment. You have some old relationships to them specifically also with regard to the idea of Lemurian and Atlantean incarnations, a great degree of familiarity with the idea of invoking their energy as a representation of collective consciousness and utilizing it in that way, which to some degree is why you're doing that in this life as well, with the idea of evoking an image that represents collective consciousness. But back then, in those rituals and those understandings, it was a good focusing point to give you an undifferentiated meditative field a reflection of your own immortality and mortality in mortality in one image, the idea of spirit and body, reflected in the skull, life and death, in one symbolic image, to put you squarely in the center, squarely in the balance point because you innately and intuitively do remember how to use that balance point to create your reality in a powerful way. what the imagery of the skull represents and your relationship to it in the past as what you might call a priest or shaman or whatever euphemism you care to use in this lifetime. Does that make some sense to you? Yes. And? Is there some offshoot of this you wish to explore in more detail or more specifically? Only if you can give me without asking another question. I would like to share my time with someone else actually. The idea. simply is to know that it was created by many people, which you were involved in several groups that created these things, you were involved.